Women on Philosophy of Art by Stone, Alison;

Britain 1770-1900

10% KEDVEZMÉNY?
A kedvezmény csak az 'Értesítés a kedvenc témákról' hírlevelünk címzettjeinek rendeléseire érvényes.

Kiadói listaár GBP 80.00
Az ár azért becsült, mert a rendelés pillanatában nem lehet pontosan tudni, hogy a beérkezéskor milyen lesz a forint árfolyama az adott termék eredeti devizájához képest. Ha a forint romlana, kissé többet, ha javulna, kissé kevesebbet kell majd fizetnie.

38 220 Ft (36 400 Ft + 5% áfa)
Kedvezmény(ek) 10% (cc. 3 822 Ft off)
Kedvezményes ár 34 398 Ft (32 760 Ft + 5% áfa)

38 220 Ft

Beszerezhetőség

Becsült beszerzési idő: A Prosperónál jelenleg nincsen raktáron, de a kiadónál igen. Beszerzés kb. 3-5 hét..
A Prosperónál jelenleg nincsen raktáron.

A termék adatai:

Kiadó OUP Oxford
Megjelenés dátuma 2024. augusztus 29.

ISBN 9780198917977
Kötéstípus Keménykötés
Terjedelem304 oldal
Méret 240x163x21 mm
Súly 606 g
Nyelv angol

Kategóriák

Esztétika A reneszánsztól a XIX. századig További könyvek a filozófia területén

Rövid leírás:

Több

Hosszú leírás:

Women on Philosophy of Art is the first study of women's philosophies of art in long nineteenth-century Britain. It looks at seven women spanning the time from the Enlightenment to the beginning of modernism. They are Anna Barbauld, Joanna Baillie, Harriet Martineau, Anna Jameson, Frances Power Cobbe, Emilia Dilke, and Vernon Lee. The central issue that concerned them was how art related to morality and religion. Baillie and Martineau treated art as an agency of moral instruction, whereas Dilke and Lee argued that art must be made for beauty's sake. Barbauld, Jameson, and Cobbe thought that beauty and religion were linked, while other women believed that art and religion must be decoupled. Other topics explored are gender and genius, tragedy, literary realism, why we enjoy the sufferings of fictional characters, the hierarchy of the art-forms, whether art can transcend its historical circumstances, and critical issues around the artistic canon. Examining the print culture that made these women's interventions possible, this book shows that these women were doing a particular kind of philosophy of art, which was interdisciplinary and closely tied to artistic criticism and practice. The book traces how these seven women influenced one another, as well as engaging with their male contemporaries. But unlike their male interlocutors, these women have been unjustly left out of narratives about the history of aesthetics. By including these women, we can enrich and broaden our understanding of the history of philosophy of art.

This book is a great study of the literary landscape as well as of actual philosophies developed by many overlooked female writers in Great Britain

Több

Tartalomjegyzék:

Acknowledgements
Timeline
Women and Philosophy of Art in Nineteenth-Century Britain
Anna Barbauld as a Philosopher of Art
Joanna Baillie's Theory of Tragedy
Harriet Martineau on Literature, Morality, and Realism
Aesthetics and Ethics in Anna Jameson's Characteristics of Women
Anna Jameson and Sacred and Legendary Art
Frances Power Cobbe, Female Genius, and the Hierarchy of the Arts
Emilia Dilke's Journey from Art Philosophy to Art History
Vernon Lee, Art-Philosophy, and True Aestheticism
The Fate of Nineteenth-Century Women Philosophers of Art
Additional Women Philosophers of Art: Beyond the Frame

Több

Mostanában megtekintett