Grand Opera Outside Paris
Opera on the Move in Nineteenth-Century Europe
Sorozatcím: Ashgate Interdisciplinary Studies in Opera;
-
20% KEDVEZMÉNY?
- A kedvezmény csak az 'Értesítés a kedvenc témákról' hírlevelünk címzettjeinek rendeléseire érvényes.
- Kiadói listaár GBP 160.00
-
76 440 Ft (72 800 Ft + 5% áfa)
Az ár azért becsült, mert a rendelés pillanatában nem lehet pontosan tudni, hogy a beérkezéskor milyen lesz a forint árfolyama az adott termék eredeti devizájához képest. Ha a forint romlana, kissé többet, ha javulna, kissé kevesebbet kell majd fizetnie.
- Kedvezmény(ek) 20% (cc. 15 288 Ft off)
- Kedvezményes ár 61 152 Ft (58 240 Ft + 5% áfa)
Iratkozzon fel most és részesüljön kedvezőbb árainkból!
Feliratkozom
76 440 Ft
Beszerezhetőség
Becsült beszerzési idő: A Prosperónál jelenleg nincsen raktáron, de a kiadónál igen. Beszerzés kb. 3-5 hét..
A Prosperónál jelenleg nincsen raktáron.
Why don't you give exact delivery time?
A beszerzés időigényét az eddigi tapasztalatokra alapozva adjuk meg. Azért becsült, mert a terméket külföldről hozzuk be, így a kiadó kiszolgálásának pillanatnyi gyorsaságától is függ. A megadottnál gyorsabb és lassabb szállítás is elképzelhető, de mindent megteszünk, hogy Ön a lehető leghamarabb jusson hozzá a termékhez.
A termék adatai:
- Kiadás sorszáma 1
- Kiadó Routledge
- Megjelenés dátuma 2017. december 18.
- ISBN 9781138202016
- Kötéstípus Keménykötés
- Terjedelem250 oldal
- Méret 234x156 mm
- Súly 620 g
- Nyelv angol
- Illusztrációk 51 Illustrations, black & white; 19 Halftones, black & white; 23 Line drawings, black & white; 9 Tables, black & white 0
Kategóriák
Rövid leírás:
Nineteenth-century French grand opera was a musical and cultural phenomenon with a widespread transnational presence in Europe. Primary attention has been on the Parisian context for which most of the works were originally written. By contrast, this volume takes account of a larger geographical and historical context, bringing into focus the Europe-wide impact of the genre. The book presents case studies including analyses of grand opera in small-town Germany and Switzerland, adaptations, and Portuguese and Russian grand operas after the French model. Its overarching aim is to reveal how grand operas became part of musical, cultural and political life in various European settings.
TöbbHosszú leírás:
Nineteenth-century French grand opera was a musical and cultural phenomenon with an important and widespread transnational presence in Europe. Primary attention in the major studies of the genre has so far been on the Parisian context for which the majority of the works were originally written. In contrast, this volume takes account of a larger geographical and historical context, bringing the Europe-wide impact of the genre into focus. The book presents case studies including analyses of grand opera in small-town Germany and Switzerland; grand operas adapted for Scandinavian capitals, a cockney audience in London, and a court audience in Weimar; and Portuguese and Russian grand operas after the French model. Its overarching aim is to reveal how grand operas were used – performed, transformed, enjoyed and criticised, emulated and parodied – and how they became part of musical, cultural and political life in various European settings. The picture that emerges is complex and diversified, yet it also testifies to the interrelated processes of cultural and political change as bourgeois audiences, at varying paces and with local variations, increased their influence, and as discourses on language, nation and nationalism influenced public debates in powerful ways.
TöbbTartalomjegyzék:
Introduction Jens Hesselager Part 1 – Places 1. Parisian Grand Opera at the Basel Theater auf dem Blömlein: Traces of Transnational Circulation, Translation and Reception Laura Moeckli 2. Grand Opera in Nineteenth-Century Stockholm: Court Celebrations and Bourgeois Entertainment Karin Hallgren Part 2 – Works 3. Cockneys in a Fever: 'Gustave' in London, 1833 Sarah Hibberd 4. Masking the Masked Ball: Auber’s 'Gustav III' as 'Die Ballnacht' at the Weimar Court Theatre, 1836 Carolin Bahr 5. Halévy’s La Juive in Stockholm, 1866 Owe Ander Part 3 – Characters 6. Sympathy for the Devil? Bertram (Robert le diable) in Copenhagen, 1833 Jens Hesselager 7. Fenella ('La Muette de Portici') and Valentine ('Les Huguenots') as Symbols of National Identity in Helsinki, 1877 Ulla-Britta Broman-Kananen 8. Staging Anti-Semitic Stereotypes: Wäinö Sola’s Eléazar at the Finnish Opera, 1925 Anne Kauppala Part 4 – Responses 9 In Search of the National: Nineteenth-Century Portuguese Composers and their First Approaches to Grand Opera Luísa Cymbron 10. Conflicting Ethnicities on the Russian Imperial Stage: The Case of Otto Dütsch’s 'The Croatian Girl' Emanuele Bonomi 11. Meyerbeer on the 'Zarzuela' Stage: El dúo de ‘La Africana’ by Manuel Fernández Caballero Carlos María Solare
Több
Stan Toler's Practical Guide to Leading Church Boards: How to Plan and Partner for Productive Ministry
5 272 Ft
4 850 Ft
Lexikon zum Steuerrecht, m. CD-ROM
5 350 Ft
5 082 Ft
