Between the Lines
A Philosophy of Theatre
-
10% KEDVEZMÉNY?
- A kedvezmény csak az 'Értesítés a kedvenc témákról' hírlevelünk címzettjeinek rendeléseire érvényes.
- Kiadói listaár GBP 59.00
-
28 187 Ft (26 845 Ft + 5% áfa)
Az ár azért becsült, mert a rendelés pillanatában nem lehet pontosan tudni, hogy a beérkezéskor milyen lesz a forint árfolyama az adott termék eredeti devizájához képest. Ha a forint romlana, kissé többet, ha javulna, kissé kevesebbet kell majd fizetnie.
- Kedvezmény(ek) 10% (cc. 2 819 Ft off)
- Kedvezményes ár 25 369 Ft (24 161 Ft + 5% áfa)
Iratkozzon fel most és részesüljön kedvezőbb árainkból!
Feliratkozom
28 187 Ft
Beszerezhetőség
Becsült beszerzési idő: A Prosperónál jelenleg nincsen raktáron, de a kiadónál igen. Beszerzés kb. 3-5 hét..
A Prosperónál jelenleg nincsen raktáron.
Why don't you give exact delivery time?
A beszerzés időigényét az eddigi tapasztalatokra alapozva adjuk meg. Azért becsült, mert a terméket külföldről hozzuk be, így a kiadó kiszolgálásának pillanatnyi gyorsaságától is függ. A megadottnál gyorsabb és lassabb szállítás is elképzelhető, de mindent megteszünk, hogy Ön a lehető leghamarabb jusson hozzá a termékhez.
A termék adatai:
- Kiadó OUP USA
- Megjelenés dátuma 2024. augusztus 29.
- ISBN 9780197691670
- Kötéstípus Keménykötés
- Terjedelem208 oldal
- Méret 217x147x19 mm
- Súly 354 g
- Nyelv angol 591
Kategóriák
Rövid leírás:
In thinking about the conceptual empty spaces of theatre, Between the Lines: A Philosophy of Theatre investigates theatre as an art form, the properties of theatrical characters and theatrical worlds, and the difference between truth and truthfulness in the theatre. Ultimately, this book aims to offer a systematic account of theatre--thinking about theatre metaphysically, epistemologically, and ethically.
TöbbHosszú leírás:
In Between the Lines: A Philosophy of Theatre, theatre theorist, Michael Y. Bennett offers a systematic account of theatre--thinking about theatre metaphysically, epistemologically, and ethically. To investigate theatre and its in-between spaces, Bennett introduces some basic ideas about coherence and correspondence and, much more prominently, conversations surrounding subsumption and distinctness in order to better describe theatre as a form of art. Instead of limiting the concept and use of subsumption to suggest that constituent parts are subsumed within a distinct whole, Bennett broadens the concept to claim that many of the properties of a theatrical character and/or a theatrical world are subsumed within the text.
Unlike some forms of literary fiction in which a narrator describes the properties of characters in general terms, theatre (particularly for the theatregoer) is largely devoid of distinct properties attributed to theatrical characters. Outside of the fact that theatrical characters speak and perform actions during the time of the play, there are little-to-no specified properties regarding theatrical characters and/or theatrical worlds. In thinking about the conceptual empty spaces of theatre, Bennett investigates three main topics: theatre as an art form, the properties of theatrical characters and theatrical worlds, and the difference between truth and truthfulness in the theatre.
An astute and illuminating exploration of some highways and byways in the theory and philosophy of theatre, with the author teasing out, and helping to resolve, often intriguing complexities in such topics as representation, characters, spectators, performance, metaphor, truthfulness, curiosity, and empty spaces, relating to theatre. All in all, a valuable addition to the field.
Tartalomjegyzék:
Acknowledgments
Glossary of Terms and Concepts
Introduction: The Conceptual Spaces of Theatre and Performance
PART I: Pieces of Theatre: Defining Theatre and its Empty Spaces
Chapter 1. Previous Conceptions of Theatre
Chapter 2. The Nature of Theatre
Chapter 3. The Nature of Viewing Theatre
Chapter 4. The Nature of Theatre's Empty Spaces
PART II: Spaces of Theatre: Offstage Characters, Imagined Objects, and Other Prickly Philosophical Problems
Chapter 5. Distinctness in the Theatre: Theatrical Language and Events
Chapter 6. Subsumption in the Theatre: The Question of Lady Bracknell's Nose and Offstage Characters
Chapter 7. Truthfulness in the Theatre: Actors and Acting and Imagined Objects
Conclusion: Teatri Topia for the Curious: Constants, Variables, and Theatre's Rules of Engagement
Notes
Bibliography
Index
Theory of Knowledge
18 627 Ft
16 764 Ft
Domus Bolezlai: Values and social identity in dynastic traditions of medieval Poland (c.966-1138): Values and Social Identity in Dynastic Traditions of Medieval Poland (c.966-1138)
101 613 Ft
93 485 Ft
