Between the Lines
A Philosophy of Theatre
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Product details:
- Publisher OUP USA
- Date of Publication 29 August 2024
- ISBN 9780197691670
- Binding Hardback
- No. of pages208 pages
- Size 217x147x19 mm
- Weight 354 g
- Language English 591
Categories
Short description:
In thinking about the conceptual empty spaces of theatre, Between the Lines: A Philosophy of Theatre investigates theatre as an art form, the properties of theatrical characters and theatrical worlds, and the difference between truth and truthfulness in the theatre. Ultimately, this book aims to offer a systematic account of theatre--thinking about theatre metaphysically, epistemologically, and ethically.
MoreLong description:
In Between the Lines: A Philosophy of Theatre, theatre theorist, Michael Y. Bennett offers a systematic account of theatre--thinking about theatre metaphysically, epistemologically, and ethically. To investigate theatre and its in-between spaces, Bennett introduces some basic ideas about coherence and correspondence and, much more prominently, conversations surrounding subsumption and distinctness in order to better describe theatre as a form of art. Instead of limiting the concept and use of subsumption to suggest that constituent parts are subsumed within a distinct whole, Bennett broadens the concept to claim that many of the properties of a theatrical character and/or a theatrical world are subsumed within the text.
Unlike some forms of literary fiction in which a narrator describes the properties of characters in general terms, theatre (particularly for the theatregoer) is largely devoid of distinct properties attributed to theatrical characters. Outside of the fact that theatrical characters speak and perform actions during the time of the play, there are little-to-no specified properties regarding theatrical characters and/or theatrical worlds. In thinking about the conceptual empty spaces of theatre, Bennett investigates three main topics: theatre as an art form, the properties of theatrical characters and theatrical worlds, and the difference between truth and truthfulness in the theatre.
An astute and illuminating exploration of some highways and byways in the theory and philosophy of theatre, with the author teasing out, and helping to resolve, often intriguing complexities in such topics as representation, characters, spectators, performance, metaphor, truthfulness, curiosity, and empty spaces, relating to theatre. All in all, a valuable addition to the field.
Table of Contents:
Acknowledgments
Glossary of Terms and Concepts
Introduction: The Conceptual Spaces of Theatre and Performance
PART I: Pieces of Theatre: Defining Theatre and its Empty Spaces
Chapter 1. Previous Conceptions of Theatre
Chapter 2. The Nature of Theatre
Chapter 3. The Nature of Viewing Theatre
Chapter 4. The Nature of Theatre's Empty Spaces
PART II: Spaces of Theatre: Offstage Characters, Imagined Objects, and Other Prickly Philosophical Problems
Chapter 5. Distinctness in the Theatre: Theatrical Language and Events
Chapter 6. Subsumption in the Theatre: The Question of Lady Bracknell's Nose and Offstage Characters
Chapter 7. Truthfulness in the Theatre: Actors and Acting and Imagined Objects
Conclusion: Teatri Topia for the Curious: Constants, Variables, and Theatre's Rules of Engagement
Notes
Bibliography
Index
Theory of Knowledge
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