Female Authorship in Contemporary US Television
When Women Run the Show
Sorozatcím: Routledge Advances in Television Studies;
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A termék adatai:
- Kiadás sorszáma 1
- Kiadó Routledge
- Megjelenés dátuma 2026. január 22.
- ISBN 9781032629643
- Kötéstípus Keménykötés
- Terjedelem224 oldal
- Méret 234x156 mm
- Súly 453 g
- Nyelv angol
- Illusztrációk 16 Illustrations, black & white; 16 Halftones, black & white 0
Kategóriák
Rövid leírás:
This book examines the growing visibility and cultural legitimation of female showrunners and their productions in US television, presenting the role of women in the contemporary media landscape and analysing the feminist sensibility governing female storytelling in the 2010s.
TöbbHosszú leírás:
This book examines the growing visibility and cultural legitimation of female showrunners and their productions in US television, presenting the role of women in the contemporary media landscape and analysing the feminist sensibility governing female storytelling in the 2010s.
Focusing on a period when television appeared to be endorsing female authorship, the book explores female authorship in US television and unpacks the tensions around ‘visibility’ as an indicator of social change. The book interrogates new emerging forms of feminism, as well as the discursive networks surrounding female authorship and their series, critically examining how women-led TV productions and their paratexts engage with feminist politics and contemporary discourses on gender, race, and LGBTQ+ identities.
This book will interest scholars and students with research interests in gender and television, in particular those working on contemporary television; equality and diversity in the creative industries; televisual authorship; advertising, branding, and marketing of film and television productions; reception discourses; celebrity culture in the digital age; as well as on the manifestations of feminism in popular culture.
“Through her sharp analysis of several US television shows of the 2010s, Theresa Trimmel considers the extra-textual and textual significance of the woman television author, a figure that embodies the contradictions of postfeminism and popular feminism of the 21st century, while also redefining the gendering of ‘quality television’ in a period of increased attention to on-screen intersectionality in the midst of a constantly changing industry. This is an important contribution to contemporary feminist media studies and television studies”.
Shelley Cobb, Professor of Film and Feminist Media Studies, University of Southampton.
“This rich, up-to-the-minute account of authorship focuses on the seemingly "game-changing" emergence of the female showrunner as brand and creative force. Theresa Trimmel asks a provocative and productive question: does the rise of this figure straightforwardly index expanded roles and progressive representation for women in and on television?”
Diane Negra, Professor of Film Studies and Screen Culture, University College Dublin.
TöbbTartalomjegyzék:
1. Introduction: The Rise of Female Authorship in US Television
2. The Construction of Female Authorship in US Television
3. "Is This What ‘Feminism’ Looks Like?": Female Authorship and the Representation of Women in ‘Feminist’ Television
4. Intersectional Female Authorship, Casting Strategies and the Representation of Women of Colour in Female-Authored Television
5. Intersectional Authorship and LGBTQ+ Representation in Women-Centred Television
6. "The Rise of the Millennial Sitcom": Millennial Authorship and Self-Representation in Female-Authored Television
7. Conclusion: The End of Feminist Television?
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