The Oxford Handbook of Neo-Riemannian Music Theories
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A termék adatai:
- Kiadó OUP USA
- Megjelenés dátuma 2011. december 22.
- ISBN 9780195321333
- Kötéstípus Keménykötés
- Terjedelem628 oldal
- Méret 178x249x55 mm
- Súly 1202 g
- Nyelv angol
- Illusztrációk 30 line illus.; 140 music examples 0
Kategóriák
Rövid leírás:
In recent years neo-Riemannian theory has established itself as the leading approach of our time, and has proven particularly adept at explaining features of chromatic music. The Oxford Handbook of Neo-Riemannian Music Theories assembles an international group of leading music theory scholars in an exploration of the music-analytical, theoretical, and historical aspects of this new field.
TöbbHosszú leírás:
In recent years Hugo Riemann's ideas have thoroughly captured the music-theoretical imagination, both in the United States and abroad. Neo-Riemannian theory has proven particularly adept at explaining features of chromatic music where other theoretical approaches have failed, and thereby established itself as the leading theoretical approach of our time. The Oxford Handbook of Neo-Riemannian Music Theories brings together an international group of leading proponents of Riemannian and neo-Riemannian theory for a thoroughgoing exploration of the music-analytical, systematic, and historical aspects of this important new field. The volume elucidates key aspects of the field, draws connections between Riemann's original ideas and current thought, and suggests new applications and avenues for further study. A number of essays suggest connections to other fields of inquiry, such as cognitive and mathematical music theory, as well as applications in the field of metric or melodic analysis. The selection of essays is complemented by several of Hugo Riemann's key original texts, many of which appear in English translation for the first time, and is rounded off by a glossary of key concepts for easy reference.
This volume is of major importance to professional music theorists as well as musicians interested in the deep structure of chromatic tonal music. It is the most comprehensive set of neo-Riemannian analyses now available, conjoining, as it does, the historical Hugo Riemann with contemporary thought and techniques.
Tartalomjegyzék:
Acknowledgments
Preface
Part I. Intellectual Contexts
The Reception of Hugo Riemann's Music Theory
Ludwig Holtmeier
The Nature of Harmony: A Translation and Commentary
Benjamin Steege
What is a Function?
Brian Hyer
Riemann and Melodic Analysis: Studies in Folk-Musical Tonality
Matthew Gelbart and Alexander Rehding
Part II. Dualism
The Problem of Harmonic Dualism: A Translation and Commentary
Ian Bent
Harmonic Dualism as Historical and Structural Imperative
Henry Klumpenhouwer
Dualistic Forms
Alexander Rehding
Dualism and the Beholder's Eye: Inversional Symmetry in Chromatic Tonal Music
Dmitri Tymoczko
Part III. Tone Space
From Matrix to Map: Tonbestimmung, the Tonnetz, and Riemann's Combinatorial Conception of Interval
Edward Gollin
On the Imagination of Tone in Schubert's Liedesend (D473), Trost (D523), and Gretchens Bitte (D564)
Suzannah Clark
Tonal Pitch Space and the (neo-) Riemannian Tonnetz
Richard Cohn
Part IV. Harmonic Space
Neo-Riemannian Perspectives on the Harmonieschritte, with a Translation of Riemann's "Systematik der Harmonieschritte"
Nora Engebretsen
On a Transformational Curiosity in Riemann's Schematisirung der Dissonanzen
Edward Gollin
Chromaticism and the Question of Tonality
David Kopp
Part V. Temporal Space
Perspectives on Riemann's Mature Theory of Meter
William E. Caplin
Reading Between the Lines: Hugo Riemann and Beethoven's Op. 31 Piano Sonatas
Scott Burnham
Metric Freedoms in Brahms's Songs: A Translation and Commentary
Paul Berry
Part VI. Transformation, Analysis, Criticism
Riemannian Analytical Values, Paleo- and Neo-
Steven Rings
Tonal Interpretation, Transformational Models, and the Chromatic Calls to Repent in Franck's Le chasseur maudit
Robert C. Cook
Three Short Essays on Neo-Riemannian Theory
Daniel Harrison
Glossary
Selected Bibliography
Index
