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  • The Oxford Handbook of Neo-Riemannian Music Theories

    The Oxford Handbook of Neo-Riemannian Music Theories by Gollin, Edward; Rehding, Alexander;

    Series: Oxford Handbooks;

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      • Publisher's listprice GBP 170.00
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    Product details:

    • Publisher OUP USA
    • Date of Publication 22 December 2011

    • ISBN 9780195321333
    • Binding Hardback
    • No. of pages628 pages
    • Size 178x249x55 mm
    • Weight 1202 g
    • Language English
    • Illustrations 30 line illus.; 140 music examples
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    Short description:

    In recent years neo-Riemannian theory has established itself as the leading approach of our time, and has proven particularly adept at explaining features of chromatic music. The Oxford Handbook of Neo-Riemannian Music Theories assembles an international group of leading music theory scholars in an exploration of the music-analytical, theoretical, and historical aspects of this new field.

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    Long description:

    In recent years Hugo Riemann's ideas have thoroughly captured the music-theoretical imagination, both in the United States and abroad. Neo-Riemannian theory has proven particularly adept at explaining features of chromatic music where other theoretical approaches have failed, and thereby established itself as the leading theoretical approach of our time. The Oxford Handbook of Neo-Riemannian Music Theories brings together an international group of leading proponents of Riemannian and neo-Riemannian theory for a thoroughgoing exploration of the music-analytical, systematic, and historical aspects of this important new field. The volume elucidates key aspects of the field, draws connections between Riemann's original ideas and current thought, and suggests new applications and avenues for further study. A number of essays suggest connections to other fields of inquiry, such as cognitive and mathematical music theory, as well as applications in the field of metric or melodic analysis. The selection of essays is complemented by several of Hugo Riemann's key original texts, many of which appear in English translation for the first time, and is rounded off by a glossary of key concepts for easy reference.

    This volume is of major importance to professional music theorists as well as musicians interested in the deep structure of chromatic tonal music. It is the most comprehensive set of neo-Riemannian analyses now available, conjoining, as it does, the historical Hugo Riemann with contemporary thought and techniques.

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    Table of Contents:

    Acknowledgments
    Preface
    Part I. Intellectual Contexts
    The Reception of Hugo Riemann's Music Theory
    Ludwig Holtmeier
    The Nature of Harmony: A Translation and Commentary
    Benjamin Steege
    What is a Function?
    Brian Hyer
    Riemann and Melodic Analysis: Studies in Folk-Musical Tonality
    Matthew Gelbart and Alexander Rehding
    Part II. Dualism
    The Problem of Harmonic Dualism: A Translation and Commentary
    Ian Bent
    Harmonic Dualism as Historical and Structural Imperative
    Henry Klumpenhouwer
    Dualistic Forms
    Alexander Rehding
    Dualism and the Beholder's Eye: Inversional Symmetry in Chromatic Tonal Music
    Dmitri Tymoczko
    Part III. Tone Space
    From Matrix to Map: Tonbestimmung, the Tonnetz, and Riemann's Combinatorial Conception of Interval
    Edward Gollin
    On the Imagination of Tone in Schubert's Liedesend (D473), Trost (D523), and Gretchens Bitte (D564)
    Suzannah Clark
    Tonal Pitch Space and the (neo-) Riemannian Tonnetz
    Richard Cohn
    Part IV. Harmonic Space
    Neo-Riemannian Perspectives on the Harmonieschritte, with a Translation of Riemann's "Systematik der Harmonieschritte"
    Nora Engebretsen
    On a Transformational Curiosity in Riemann's Schematisirung der Dissonanzen
    Edward Gollin
    Chromaticism and the Question of Tonality
    David Kopp
    Part V. Temporal Space
    Perspectives on Riemann's Mature Theory of Meter
    William E. Caplin
    Reading Between the Lines: Hugo Riemann and Beethoven's Op. 31 Piano Sonatas
    Scott Burnham
    Metric Freedoms in Brahms's Songs: A Translation and Commentary
    Paul Berry
    Part VI. Transformation, Analysis, Criticism
    Riemannian Analytical Values, Paleo- and Neo-
    Steven Rings
    Tonal Interpretation, Transformational Models, and the Chromatic Calls to Repent in Franck's Le chasseur maudit
    Robert C. Cook
    Three Short Essays on Neo-Riemannian Theory
    Daniel Harrison
    Glossary
    Selected Bibliography
    Index

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