The Oxford Critical and Cultural History of Modernist Magazines
Volume I: Britain and Ireland 1880-1955
Sorozatcím: Oxford Critical Cultural History of Modernist Magazines;
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A termék adatai:
- Kiadó OUP Oxford
- Megjelenés dátuma 2009. március 26.
- ISBN 9780199211159
- Kötéstípus Keménykötés
- Terjedelem976 oldal
- Méret 254x181x51 mm
- Súly 2081 g
- Nyelv angol
- Illusztrációk 102 halftones, 2 tables 0
Kategóriák
Rövid leírás:
The first full study of the role of 'little magazines' and their contribution to the making of artistic modernism. A major scholarly achievement of immense value to teachers, researchers and students interested in the material culture of the first half of the 20th century and the relation of the arts to social modernity.
TöbbHosszú leírás:
The first of three volumes charting the history of the Modernist Magazine in Britain, North America, and Europe, this collection offers the first comprehensive study of the wide and varied range of 'little magazines' which were so instrumental in introducing the new writing and ideas that came to constitute literary and artistic modernism in the UK and Ireland.
In thirty-seven chapters covering over eighty magazines expert contributors investigate the inner dynamics and economic and intellectual conditions that governed the life of these fugitive but vibrant publications. We learn of the role of editors and sponsors, the relation of the arts to contemporary philosophy and politics, the effects of war and economic depression and of the survival in hard times of radical ideas and a belief in innovation. The chapters are arranged according to historical themes with accompanying contextual introductions, and include studies of the New Age, Blast, the Egoist and the Criterion, New Writing, New Verse , and Scrutiny as well as of lesser known magazines such as the Evergreen, Coterie, the Bermondsey Book, the Mask, Welsh Review, the Modern Scot, and the Bell.
To return to the pages of these magazines returns us a world where the material constraints of costs and anxieties over censorship and declining readerships ran alongside the excitement of a new poem or manifesto. This collection therefore confirms the value of magazine culture to the field of modernist studies; it provides a rich and hitherto under-examined resource which both brings to light the debate and dialogue out of which modernism evolved and helps us recover the vitality and potential of that earlier discussion.
an extremely useful publication. (It has also been handsomely produced)
Tartalomjegyzék:
General Introduction
Part One VICTORIAN PRECURSORS
Introduction
The Pre-History of the 'Little Magazine'
In the Beginning There Was the Germ: The Pre-Raphaelites and 'Little Magazines'
Part Two FIN-DE-SIÃCLE VENTURES (1884-1905)
Introduction
Aestheticism and Decadence: the Yellow Book (1894-97); the Chameleon (1894); and the Savoy (1896)
Symbolism in British 'Little Magazines': the Dial (1889-1897); the Pageant (1896-7); and the Dome (1897-1900)
'The Arts and Crafts Movement': the Century Guild Hobby Horse (1884-94); the Studio (1893- ); the Evergreen (1895-6); and the Acorn (1905)
Part Three EARLY STATEMENTS (1899-1915)
Introduction
Yeats and the Celtic Revival: Beltaine (1899-1900); Samhain (1901-1908); DanaThe New Poetry, Georgians and Others: the Open Window (1910-11); the Poetry Review (1912-15); Poetry and Drama (1913-14); and New Numbers (1914)
Part Four TRANSITIONS
Introduction
Democracy and Modernism: the New Age under A. R. Orage (1907-1922)
Ford Madox Ford and the English Review (1908-37)
The London Mercury (1919-1939) and Other Moderns
Part Five INTERVENTIONS (1911-19)
Introduction
Gender and Modernism: the Freewoman (1913); the New Freewoman (1911-12); and the Egoist (1914-19)
The 'Little Magazine' as Weapon: BLAST (1914-15)
Harmony, Discord, and Difference: Rhythm (1911-13); the Blue Review (1913); and the Signature (1915)
Part Six EDITORS AND PROGRAMMES
Introduction
The Idea of a Literary Review: T. S. Eliot and the Criterion (1922-39)
Enemies of Cant: the Athenaeum and the Adelphi (1923-48)
Standards of Criticism: the Calendar of Modern Letters (1925-7)
The Cause of Poetry: Thomas Moult and Voices (1919-21); Harold Monro and the Monthly Chapbook (1919-25)
Desmond MacCarthy, Life and Letters (1928-35), and Bloomsbury Modernism
Part Seven INTO THE 1920s: DISPERSAL AND DIFFERENCE
Introduction
Aftermath of War: Coterie (1919-21); New Coterie (1925-27); Robert Graves and the Owl (1919-23)
Literature and the Visual Arts: Art and Letters (1917-20) and the Apple (1920-22)
Cinema and Visual Culture: Close Up (1927-33)
Interventions in the Public Sphere: Time and Tide (1920-30) and the Bermondsey Book (1923-1930)
Cultural Criticism at the Margins: Wyndham Lewis, the Tyro (1920-21), and the Enemy (1927-29)
Nostalgia and Reaction: Austin O. Spare and Form (1916-17; 1921-22); the Golden Hind (1922-24); and the Decachord (1924-31)
Part Eight COMMITMENT TO THE NEW: THE 1930s
Introduction
Cambridge Magazines and Unfinished Business: Experiment (1928-30); the Venture (1928-30); and Cambridge Left (1933-34)
Art and Politics in the 1930s: the European Quarterly (1934-35); Left Review (1934-38); and Poetry and the People (1938-40)
Poetry Then: Geoffrey Grigson and New Verse (1933-39); Julian Symons and Twentieth Century Verse (1937-9)
A New Prose: John Lehmann and New Writing (1936-40)
'National papers please reprint'. Surrealist Magazines in Britain: Contemporary Poetry and Prose (1936-7); London Bulletin (1938-40); and Arson: An Ardent Review (1942)
Part Nine BEYOND THE METROPOLIS: NATIONAL AND MIGRANT VOICES IN THE 1930s AND 1940s
Introduction
Wales (1937-39); the Welsh Review (1939-)
From Revolution to Republic: Magazines, Modernism, and Modernity in Ireland: the Klaxon (1923); the Irish Statesman (1923-30); the Dublin Magazine (1923-58); To-Morrow (1924); Ireland To-Day (1936-38); and the Bell (1940-54)
Modernism and National Identity in Scottish Magazines: the Evergreen (1895-97); the Northern Review (1924); the Modern Scot (1930-36); Scottish Art and Letters (1944-1950); the Scottish Chapbook (1922-3); Outlook (1936-1937); and the Voice of Scotland (1938-39; 1945; 1955)
A New 'Art of the Theatre': Gordon Craig's the Mask (1908-28) and the Marionette (1918-19)
Modernism as 'Uninfected Discourse': Laura Riding, Epilogue (1935-38) and Focus (1935)
Part Ten THE CALL TO CRITICISM AND MODERNIST DESTINIES
Introduction
'Say not the struggle naught availeth': F. R. Leavis and Scrutiny (1932-53)
Cyril Connolly's Horizon (1940-50) and the End of Modernism
Poetry London (1939-1951) and Indian Writing (1940-42): the Apocalyptic Poets, 'New Modernism', and 'The Progressive View of Art'
Bibliography
