Recite in the Name of the Red Rose – Poetic Sacred Making in Twentieth–century Iran by Keshavarz, Fatemeh; Denny, Frederick M.;

Poetic Sacred Making in Twentieth-century Iran

Sorozatcím: Studies in Comparative Religion;

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A termék adatai:

Kiadó MP–SCA Uni of South Carolina
Megjelenés dátuma 2006. május 30.
Kötetek száma Hardback

ISBN 9781570036224
Kötéstípus Keménykötés
Terjedelem208 oldal
Méret 236x164x20 mm
Súly 440 g
Nyelv angol

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Irodalomtörténet Irodalomelmélet Líra

Rövid leírás:

Introduces Western readers to constructions of the sacred in twentieth-century Iranian poetry. Sifting through the lives and writings of modern and classical poets, the author provides a systematic examination of the array of religious impulses in Persian verse. She views poetry as the site of the emergence of the self and the sacred.

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Hosszú leírás:

Recite in the Name of the Red Rose introduces Western readers to constructions of the sacred in twentieth-century Iranian poetry. Sifting through the lives and writings of modern and classical poets, Fatemeh Keshavarz provides a systematic examination of the array of religious impulses in recent Persian verse. Viewing poetry as the site of the emergence of the self and the sacred, she confirms that sanctification is not static in its forms but continuously in flux and that the poetic modes used to articulate the sanctified are equally fluid. Keshevarz begins by introducing the core concepts that define and detach religion and secularity in contemporary Iranian society. By thoroughly discussing the nature of classical Persian poetry she makes clear that expressions of the sacred in verse have been open to negotiation and change even in the premodern period. However, in Iran's modern poetic landscape Keshavarz uncovers many new patterns of expressing the sacred. In individual chapters on the writings of Forugh Farrokhzad (1935-1967), Sohrab Sepehri (1928-1981), and Ahmad Shamlu (1925-2000), she discusses the paradigmatic ways prominent poets of the twentieth century have related to the sacred in a nation forging its vision of modernity. While most scholars perceive current Iranian culture to be sharply divided between literalist conservatives and secular progressives, Keshavarz identifies provocative shades of spiritual expression less rigidly defined and hence neglected by the established critical tradition. Bringing such expression to the fore of scholarly attention, her study invites a more nuanced appreciation of the crosscurrents of religion and literature in recent Middle Eastern culture.

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