Open graves, open minds by George, Sam; Hughes, Bill;

Representations of vampires and the Undead from the Enlightenment to the present day

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A termék adatai:

Kiadó Manchester University Press
Megjelenés dátuma 2013. december 31.

ISBN 9780719089411
Kötéstípus Keménykötés
Terjedelem320 oldal
Méret 234x156 mm
Nyelv angol
Illusztrációk 30 Illustrations, black & white

Kategóriák

Irodalomtörténet Antológiák

Rövid leírás:

Relates the Undead in literature and other media to questions concerning genre, technology, consumption and social change

Több

Hosszú leírás:

This collection of interconnected essays relates the Undead in literature, art and other media to questions concerning gender, race, genre, technology, consumption and social change.

A coherent narrative follows Enlightenment studies of the vampire’s origins in folklore and folk panics, the sources of vampire fiction, through Romantic incarnations in Byron and Polidori to Le Fanu’s Carmilla. Further essays discuss the Undead in the context of Dracula, fin-de-siecle decadence, Nazi Germany and early cinematic treatments. The rise of the sympathetic vampire is charted from Coppola’s film, Bram Stoker’s Dracula, to Buffy the Vampire Slayer and Twilight. More recent manifestations in novels, TV, Goth subculture, young adult fiction and cinema are dealt with in discussions of True Blood, The Vampire Diaries and much more.

Featuring distinguished contributors, including a prominent novelist, and aimed at interdisciplinary scholars or postgraduate students, it will also appeal to aficionados of creative writing and Undead enthusiasts.

Open graves, open minds relates the Undead in literature and other media to questions concerning genre, technology, consumption and social change. It features original research by leading scholars (Dr Sam George is a frequent commentator on the contemporary vampire; Dr Catherine Spooner, a pioneer of the study of Contemporary Gothic; and Dr Stacey Abbott is the author of the seminal work on the vampire in film and TV). The essays cover texts both familiar and unexpected, bringing debates around fictional vampires into the twenty-first century where they are currently enjoying a vogue.

This wide-ranging collection forms a coherent narrative which follows Enlightenment studies of the vampire’s origins in folklore and folk panics, tracing sources of vampire fiction, through Romantic incarnations in Byron and Polidori to Le Fanu’s Carmilla. Further essays discuss the undead in the context of Dracula, fin-de-siecle decadence and Nazi Germany together with early cinematic treatments. The rise of the sympathetic vampire is charted from Coppola’s Dracula, to Buffy the Vampire Slayer and Twilight. More recent manifestations in novels, TV, Goth subculture, young adult fiction and cinema are dealt with in discussions of True Blood, The Vampire Diaries and much more.

The book is essential reading for those who wish to explore open graves with an open mind: scholars of literature and film, enthusiasts of all things vampiric and writers of Undead fiction. The Transylvanian notebooks of the award-winning novelist Marcus Sedgwick conclude the study, shedding light on recent trends in young adult fiction. Sedgwick lays bare the writing process for budding novelists and creative writers in the genre.

...the book is highly recommended as a primary reference work on the media vampire.

Több

Tartalomjegyzék:

1. Introduction – Sam George and Bill Hughes
2. The deformed transformed; or, from bloodsucker to Byronic hero: Polidori and the literary vampire – Conrad Aquilina,
3. Sheridan Le Fanu’s vampires and Ireland’s invited invasion – Julieann Ulin
4. ‘He make in the mirror no reflect’: Undead aesthetics and mechanical reproduction – Dorian Gray, Dracula, and David Reed’s ‘vampiric painting’ – Sam George
5. The vampire as dark and glorious necessity in George Sylvester Viereck’s House of the Vampire and Hanns Heinz Ewers’ Vampir – Lisa Lampert-Weissig
6. The Undead in the kingdom of shadows: the rise of the cinematic vampire – Stacey Abbott
7. Crossing oceans of time: Stoker, Coppola and the ‘new vampire’ film – Lindsey Scott
8. ‘I feel strong. I feel different’: transformations, vampires and language in Buffy the Vampire Slayer – Malgorzata Drewniok
9. ‘Gothic Charm School; or, how vampires learned to sparkle’ – Catherine Spooner
10. A vampire heaven: the economics of salvation in Dracula and Twilight – Jennifer H. Williams
11. The Twilight Saga and the pleasures of spectatorship: the broken body and the shining body – Sara Wasson and Sarah Artt
12. The postmodern vampire in ‘post-race’ America: HBO’s True Blood – Michelle Smith
13. ‘Myriad mirrors: doppelgängers and doubling in The Vampire Diaries’ – Kimberley McMahon-Coleman
14. The vampire in the machine: exploring the undead interface – Ivan Phillips
15. ‘Legally recognised undead’: essence, difference, and assimilation in Daniel Waters’s Generation Dead – Bill Hughes
16. The elusive vampire: folklore and fiction – writing My Swordhand is Singing – Marcus Sedgwick
Bibliography
Index