Facing the Late Victorians by Stetz, Margaret;

Portraits of Writers and Artists from the Mark Samuels Lasner Collection

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27 231 Ft (25 935 Ft + 5% áfa)
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27 231 Ft

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A termék adatai:

Kiadó University of Delaware Press
Megjelenés dátuma 2007. május 1.
Kötetek száma Paperback

ISBN 9781611493283
Kötéstípus Puhakötés
Terjedelem158 oldal
Méret 284x219x13 mm
Súly 538 g
Nyelv angol

Kategóriák

Irodalomtudomány általában, referensz művek

Rövid leírás:

This lavishly illustrated volume offers a new interpretation of the significance of the portrait image during the final decades of the nineteenth century in Britain, using materials drawn from the Mark Samuels Lasner Collection at the University of Delaware. This study highlights the connections between the images of writers' and artists' faces that circulated through the British periodical press, through exhibition spaces in London, and through book publishing, and such late-Victorian cultural obsessions as defining "genius," masculinity, femininity, and class status. It focuses in particular on the figure of Oscar Wilde as the writer who best exploited the new market for portraits in advancing his own career, but moves beyond him to look at the broader topic of how and why writers' and artists' faces were idealized, caricatured, and also studied by the general public. It examines, too, the relationship between the circulation of portraits and notions of modernity created through advertising, public relations, and commodification.

Több

Hosszú leírás:

This is a lavishly illustrated volume that offers a new interpretation of the significance of the portrait image during the final decades of the nineteenth century in Britain, using materials drawn from the Mark Samuels Lasner Collection at the University of Delaware. This study highlights the connections between the images of writers' and artists' faces that circulated through the British periodical press, through exhibition spaces in London, and through book publishing, and such late-Victorian cultural obsessions as defining 'genius,' masculinity, femininity, and class status. It focuses in particular on the figure of Oscar Wilde as the writer who best exploited the new market for portraits in advancing his own career, but moves beyond him to look at the broader topic of how and why writers' and artists' faces were idealized, caricatured, and also studied by the general public. It examines, too, the relationship between the circulation of portraits and notions of modernity created through advertising, public relations, and commodification.

Több

Mostanában megtekintett

KANTS SCHRIFTEN BD 29 1 2 GB4.ABT 6.BD 1.HAE 2.T AE: Hrsg.: Bd. 1-22 Preuß. Akademie d. Wissenschaften; Bd.23 Deutsche Akademie d. Wissenschaften zu Berlin; ab Bd.24 Akademie d. Wissenschaften zu Göttingen

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Facing the Late Victorians: Portraits of Writers and Artists from the Mark Samuels Lasner Collection

Stetz, Margaret;

27 231 Ft

25 053 Ft

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