Dimensional Color by SWIRNOFF;

Sorozatcím: Design Science Collection;

8% KEDVEZMÉNY?
A kedvezmény csak az 'Értesítés a kedvenc témákról' hírlevelünk címzettjeinek rendeléseire érvényes.

Kiadói listaár EUR 85.59
Az ár azért becsült, mert a rendelés pillanatában nem lehet pontosan tudni, hogy a beérkezéskor milyen lesz a forint árfolyama az adott termék eredeti devizájához képest. Ha a forint romlana, kissé többet, ha javulna, kissé kevesebbet kell majd fizetnie.

35 498 Ft (33 808 Ft + 5% áfa)
Kedvezmény(ek) 8% (cc. 2 840 Ft off)
Kedvezményes ár 32 659 Ft (31 103 Ft + 5% áfa)

35 498 Ft

Beszerezhetőség

A kiadónál véglegesen elfogyott, nem rendelhető. Érdemes újra keresni a címmel, hátha van újabb kiadás.

A termék adatai:

Kiadó Springer Verlag
Megjelenés dátuma 1988. december 1.
Kötetek száma 1 pieces Book

ISBN 9780817632533
Kötéstípus Keménykötés
Terjedelem162 oldal
Méret 0x0 mm
Súly 935 g
Nyelv angol
Illusztrációk 71 Illustrations, black & white; 223 Illustrations, color

Kategóriák

A természettudományok általános kérdései, tudománytörténet, tudományfilozófia Természettudományok

Hosszú leírás:

In a broad sense Design Science is the fail to perceive the system of organiza grammar of a language of images rather tion determining the form of such than of words. Modern communication structures. techniques enable us to transmit and reconstitute images without the need of Perception is a complex process. Our knowing a specific verbal sequential senses record ; they are analogous to language such as the Morse code, or audio or video devices. We cannot, Hungarian. International traffic signs however, claim that such devices per use international image symbols which ceive. Perception involves more than are not specific to any particular verbal meets the eye: it involves processing language. An image language differs and organization of recorded data. from a verbal one in that the latter uses When we name an object, we actually a linear string of symbols, whereas the name a concept: such words as octahe former is multidimensional. dron, collage, tessellation, dome, each desig nate a wide variety of objects sharing Architecturial renderings commonly certain characteristics. When we devise show projections onto three mutually ways of transforming an octahedron, or perpendicular planes, or consist of cross determine whether a given shape will sections at different altitudes capable of tessellate the plane, we make use of being stacked and representing different these characteristics, which constitute floor plans. Such renderings make it the grammar of structure.

In a broad sense Design Science is the fail to perceive the system of organiza grammar of a language of images rather tion determining the form of such than of words. Modern communication structures. techniques enable us to transmit and reconstitute images without the need of Perception is a complex process. Our knowing a specific verbal sequential senses record ; they are analogous to language such as the Morse code, or audio or video devices. We cannot, Hungarian. International traffic signs however, claim that such devices per use international image symbols which ceive. Perception involves more than are not specific to any particular verbal meets the eye: it involves processing language. An image language differs and organization of recorded data. from a verbal one in that the latter uses When we name an object, we actually a linear string of symbols, whereas the name a concept: such words as octahe former is multidimensional. dron, collage, tessellation, dome, each desig nate a wide variety of objects sharing Architecturial renderings commonly certain characteristics. When we devise show projections onto three mutually ways of transforming an octahedron, or perpendicular planes, or consist of cross determine whether a given shape will sections at different altitudes capable of tessellate the plane, we make use of being stacked and representing different these characteristics, which constitute floor plans. Such renderings make it the grammar of structure.

Több

Tartalomjegyzék:

1 Architecture and the Significance of the Surface.- 2 Dimensional Color: Theoretical Background.- 3 Color-Space and Time.- 4 The Geometry of Brightness and the Perception of Form.- 5 Configuration, Pattern, and Dimension.- 6 Color and Form: Conform or Transform?.- 7 Chiaro e Scuro Inverted.- 8 Color and Visual Organization.- 9 Color and Light.- 10 Visual Education.- Notes.- List of Illustrations.

Több

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