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  • Crime and Thriller Writing: A Writers' & Artists' Companion

    Crime and Thriller Writing by Spring, Michelle; King, Laurie R.;

    A Writers' & Artists' Companion

    Sorozatcím: Writers’ and Artists’ Companions;

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    Hosszú leírás:

    Crime and Thriller Writing: A Writers' & Artists' Companion is an essential guide to writing in these exciting genres.

    PART 1 explores the nature and history of the genre and helpsyou get started with ideas, planning and research.

    PART 2 includes tips by bestselling crime writers: Mark Billingham, S.J. Bolton, Alafair Burke, Lee Child, N. J. Cooper, Meg Gardiner, Tess Gerritsen, Sophie Hannah, Jim Kelly, Laura Lippman, Gayle Lynds, Alex McBride, Val McDermid, Dreda Say Mitchell, Sara Paretsky, Jill Paton Walsh, George Pelecanos, Ian Rankin, Peter Robinson, S. J. Rozan, Guy Saville, Yrsa Sigurï¿1⁄2ardï¿1⁄2ttir, Dana Stabenow, Andrew Taylor, Charles Todd and Laura Wilson. PART 3 contains practical advice--from shaping plots and exploring your characters to the meaning of writer's block, the power of the rewrite, and how to find an agent when your novel is complete.

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    Tartalomjegyzék:

    Preface
    Foreword by P. D. James
    Preface by Carole Angier and Sally Cline
    Introduction by Michelle Spring and Laurie R. King
    Notes on Format and Terminology
    Part One: On a Life of Crime
    Reflections I, Michelle Spring: Thoughts About Crime
    'I Always Knew I Wanted to Be a Writer'
    Reasons to Write a Crime Novel
    The Shadow of Violence
    Just When You Thought It Was Safe to Come out of the Water...
    Psychopaths and Everyday Killers
    The Grim Reaper
    Reflections II, Laurie R. King: A Life of Crime (Fiction)
    An Honorable Calling
    Mysteries, Greater and Lesser
    Making a Crime Writer
    The Mystery of the Mystery
    Still Just Writing Haiku?
    Writing as an Active Verb
    Ways of Writing
    Michelle Spring: The Orderly School of Writing
    Laurie R. King: The Organic Way
    Coda
    The World of Crime
    The Roots of the Matter: a History of Crime Fiction
    What is Crime?
    The Spectrum, Gentle to Thriller
    Getting Ready
    Reading Like a Writer
    Ideas
    Write What You Really Know
    Where Do You Get Your Ideas?
    Harvesting Ideas
    Testing Ideas
    Getting Rid of Ideas
    Early Decisions
    Point of View
    Setting
    Period
    Series or Standalone?
    'Sub-plots', 'Themes', and 'Author's Voice'
    Plotting: How (and When) to Do It
    The Organic Approach
    The Orderly Approach
    Middle Ground: The Orderly Organics
    Research
    What You Need to Know in Order to Write
    Research in Stages
    A Sense of Place
    Library Vs Internet
    The Expert
    Taking Control of Your Research
    Part Two: Guest Authors
    Mark Billingham
    S. J. Bolton
    Alafair Burke
    Lee Child
    N. J. Cooper
    Meg Gardiner
    Tess Gerritsen
    Sophie Hannah
    Jim Kelly
    Laura Lippman
    Gayle Lynds
    Alex Mcbride
    Val Mcdermid
    Dreda Say Mitchell
    Sara Paretsky
    Jill Paton Walsh
    George Pelecanos
    Ian Rankin
    Peter Robinson
    S. J. Rozan
    Guy Saville
    Yrsa Sigurdardï¿1⁄2ttir
    Dana Stabenow
    Andrew Taylor
    Charles Todd
    Laura Wilson
    Part 3: Getting Your Story Across
    The Tools of Writing
    Plots, Characters, and Story: Chicken or Egg?
    Plot Vs. Story
    Language
    Description
    Setting-place and Time
    Atmosphere, or, in Defence of Weather
    Divisions: Sentence, Scene, Chapter, Book
    Preface and Prologue
    Dialogue and Body Language
    Humour
    Titles
    Characters
    Characters in Crime Fiction
    What Do the Characters Want?
    Narrators and Protagonists
    Heroes and Villains
    Sidekicks and Supporting Actors
    The Victim
    Distinctive Elements of Crime Fiction
    Coincidence and Fair Play
    The Clue
    The Red Herring
    Conflict and Violence
    Pace and Progression
    Stay True to Your Niche?
    When the Going Gets Tough
    Writer's Block
    Working with Others-courses, Writing Groups, and Mentors
    The Story's Arc, or Acts
    The Curtain Rises: Opening and Hook
    Act One: The Beginning
    The Setup
    Action and Suspense
    Backstory and the Series Novel
    Act Two: The Middle
    Heaping on the Challenges
    Pace-peaks and Valleys
    Act Three: The Endgame
    Closing and Coda
    When You're 'finished': The Rewrite
    The Rewrite
    Reading Aloud
    How Many Drafts?
    What Next?
    When You're Really Finished
    The Publishable Manuscript
    E-publishing
    The Agent
    Contests
    When to Start the Promotion Wagon Rolling?
    Author's Web Site
    Social Media
    Outreach
    The Writer's Public Face
    Conferences and Classes
    Taking Criticism
    What Are You Aiming For?
    Resources and Reading
    A Writer's Reference Library
    Research Tools: Maps, Guidebooks, Experts, the Internet
    Novels to Study
    Bibliography

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