A Neuroarthistory of The Painters of Modern Life by Weingarden, Lauren S.;

Rövid leírás:

This book uses a transdisciplinary method combining art history, literary studies, and neuroaesthetics to examine the modern urban experience of nineteenth century Paris through language and images of fragmentation and transformation.

Hosszú leírás:

Using a transdisciplinary method combining art history, literary studies, and neuroaesthetics, this book examines the modern urban experience of nineteenth-century Paris through language and images of fragmentation and transformation. 

The volume includes new empirical research conducted in collaboration with neuropsychologists, which tracks present-day viewers’ physical and psychological responses to nineteenth-century painting and photography, thus providing data to model an experiential aesthetic for Baudelairean modernity. Weingarden reframes our understanding of Haussmannization, the demolition and rebuilding of the city into a modern metropolis, as witnessed by nineteenth-century Parisians, while also shedding new light on writers’ responses, particularly those of Charles Baudelaire, and of visual artists like Édouard Manet, who contemplated and theorized this modernity and its impact.  Using a unique word-and-image methodology, the author illustrates the development of ironic parody as a pictorial device that represents the rupture, fragmentation, and transmutation experienced by the artists and their viewers, revealing how art historians can utilize nineteenth-century neuropsychological practices and current neuroscience methods to reconstruct the lived, embodied experiences of nineteenth-century Paris.  

This book will be of interest to students and scholars working in art history, modern art, urban studies and neuropsychology.  

Tartalomjegyzék:

Acknowledgments 

List of Figures 

Introduction 

Chapter 1 Neuroaesthetics and Cognitive Poetics: Mapping Baudelairean Modernity in Neural Processing of Word and Image 

Chapter 2 Mirroring Haussmannization in Baudelairean Word and Graphic Image  

Chapters 3 On Baudelairean Modernity: Neuroaesthetic Modeling of Ironic Self-Reflection 

Chapter 4 Mirroring Haussmannization in Baudelairean Word and Photographic Image 

Chapter 5 A Collaborative Investigation into Affective and Embodied Aesthetic Responses to  

Charles Marville’s Old Paris and New Paris Series 

Chapter 6 Manet’s Erotic and Ironic Gaze: Photography, Pornography, and Censorship 

Chapter 7 Brain Mapping Censorship and Desire in Second Empire Paris 

Chapter 8 Baudelaire’s Prose Poems: A Paradigm for Ironic Parody 

Chapter 9 Verbal and Visual Parody: Zola’s and Manet’s Ironic Encounters 

Chapter 10 Reflections on Baudelairean Modernity 

Epilogue 

References 

Index