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  • The Routledge Companion to Performance and Science

    The Routledge Companion to Performance and Science by Johnson, Paul; Parry, Simon; Senior, Adele;

    Series: Routledge Companions;

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    Product details:

    • Edition number 1
    • Publisher Routledge
    • Date of Publication 19 November 2025

    • ISBN 9781032138992
    • Binding Hardback
    • No. of pages576 pages
    • Size 246x174 mm
    • Weight 453 g
    • Language English
    • Illustrations 68 Illustrations, black & white; 68 Halftones, black & white; 2 Tables, black & white
    • 700

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    Short description:

    The Routledge Companion to Performance and Science investigates and illuminates the growing international interest in the intersections and interactions between theatre, drama, performance and the sciences.

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    Long description:

    The Routledge Companion to Performance and Science investigates and illuminates the growing international interest in the intersections and interactions between theatre, drama, performance and the sciences.


    These disciplines are explored through an extensive range of essays from artists, practitioners, researchers and scholars, many of whom are working in interdisciplinary, transdisciplinary or multidisciplinary contexts. With a largely contemporary focus underpinned by an introductory section that sets out a history of antecedent intersections, the volume offers a diverse range of perspectives on science, scientific methods, and scientific knowledge in dialogue with performance scholarship and practice. Our understanding of ‘practice’ is capacious, from different performance forms to science communication and interpretation, to scientific approaches to performance, to ways of generating and disseminating scientific knowledge. Within this vast scene, a number of key questions and themes emerge: How can scientific knowledge be interrogated by performance practices? How can performance explore the human implications of scientific development? How can scientific practices be understood through performance theories? How are scientists or scientific practices, and ideas represented in performance?


    This is a key resource for scholars and upper-level students of performing arts, science communication, medical and health humanities, science and technology studies, and interdisciplinary arts/humanities/sciences projects.

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    Table of Contents:

    List of Contributors


    Acknowledgements


     


     


    Introduction


    Paul Johnson, Simon Parry and Adele Senior


     


     


    PART I


    Histories of Science and Performance


     


    Chapter 1. Performing Science in Early Modern England: Experimental Entertainment and its Audiences


    Mark Thomas Young


     


    Chapter 2. Dramatic representations of the astrologer on the verge of modern science


    Mário Montenegro


     


    Chapter 3. Samuel Pepys’ Traumatic Autopsia


    Kara Reilly


     


    Chapter 4. Artists with differentiated bodies in performing arts


    Felipe Henrique Monteiro Oliveira


     


    Chapter 5. The brigands of medicine: charlatanry, sexuality and medical demonstration in late nineteenth century France


    Jonathan W. Marshall


     


    Chapter 6. Physique Amusante: Optics, Mechanics, Anatomy and Anthropology at the Fairground in Nineteenth-century Europe


    Nele Wynants


     


    Chapter 7. All Fall Down: Fainting, Dying, and Mad Scenes on the Nineteenth-Century Stage


    Elyse Singer


     


    Chapter 8. “The Velocity of the Stage: Physics Meets Metaphysics in Sigizmund Krzhizhanovsky’s  Theatrical Theory”


    Alisa Ballard Lin


     


    Chapter 9. ‘Heal as well as dance’: Margaret Morris Movement and physiotherapy as performance


    Clare Button


     


    PART II


    Disciplined Performance


     


    Chapter 10. Computer Science and Performance: A Reintroduction


    Robert Ellis Walton


     


    Chapter 11. ASMR – performance and psychology of sensation in the online space


    Julie Rose Bower & Giulia Poerio


     


    Chapter 12. Abnormal Psychology and The Case of Becky: Science and Imagination in the Performance of Dual Personality


    John M. Andrick


     


    Chapter 13. Investigating Biological Dramaturgies: Using cancer biology as a dramaturgical tool


    Diane Stubbings


     


    Chapter 14. The dementia science play: Balancing science with humanity in dementia-themed performance


    Morgan Batch


     


    Chapter 15. O (Symptom): Performing in between doctor, patient and cadaver


    Olivia Turner


     


    Chapter 16. Displacing performance mastery with ecological tools


    Anthony Gritten


     


    Chapter 17. The Aesthetics of Mathematics in the Physical Theatre


    Yael Via-Dorembus


     


    Chapter 18. Parameters for Understanding Uncertainty: Methodologies for Intellectual Loitering within Scientific Infrastructure & Communication


    Rebecca Collins


     


     


    PART III


    Performance Cultures and Science


     


    Chapter 19. Applying an immersive intelligent aesthetic to wildfire visualisation: Exploring terrestrial agency


    Susanne Thurow, Dennis Del Favero, Jason Sharples, Khalid Moinuddin, Charles Green


     


    Chapter 20. Charge – interpreting scientific research through Interdisciplinary devised practice


    Sophy Smith


     


    Chapter 21. From Carbon-Dating to Light Theory in the Dystopic Archeology of Istanbul


    Deniz Başar


     


    Chapter 22. Whose Technology? A Sufi Love Note on Decolonizing our Historical Dances with Science and Technology Studies


    Assad Assad


     


    Chapter 23. Blood Magic in Biotech – a case study


    WhiteFeather Hunter


     


    Chapter 24. The Disquieting Body in VestandPage's Performance Art: Diagnose, Cure, Heal, Perform


    Andrea Pagnes


     


    Chapter 25. Ecosomatic practice for living and dying on a damaged planet


    Olive Bieringa


     


    Chapter 26. Building Science Communication as a Space for Scientists: Science Comedy in the United Kingdom


    Edward Thomas Bankes


     


    Chapter 27. Room Service as sf theatre: communicating science through sf performance


    Sanja Vodovnik


     


    Chapter 28. No Space In Between: A Case Study of Theatrescience


    Rebecca Gould and David Cottis


     


     


    PART IV


    Sciences of Performance


     


    Chapter 29. Banishing homunculus: in-bodying imagination in acting processes


    Micia de Wet


     


    Chapter 30. Emotion Theory and Theatre Practice: From William James to Konstantin Stanislavski


    Aphrodite Evangelatou


     


    Chapter 31. Theatre as Science: Performing Empathy in Beatrix Cenci


    Graça P. Corrêa


     


    Chapter 32. Centring the ‘subjective’ when examining performance in the field of Dance Medicine and Science


    Gemma Harman


     


    Chapter 33. Conversations on the tensions of dance and science in an emerging research field


    Frances Clarke, Naomi Lefebvre Sell, Matthew Wyon, Derrick Brown-Appenzeller


     


    Chapter 34. Rehearsing the Art and Science of Healing: Simulation Performance in Nursing Education


    Alexander Munro


     


     


     


    PART V


    Science, Performance and Communication


     


    Chapter 35. Audiences for science-theatre: valued but under-explored


    Carla Almeida and Emma Weitkamp


     


    Chapter 36. Performing Public Health


    Meghan Moe Beitiks, Marina Heron Tsaplina, Aaron Colverson, Kaitlyn Wittig Menguc, Jill Sonke, Edith Moore Hubert & Katrina Pineda


     


    Chapter 37. Pharmakon: An Experimental Collaboration between Performance and Pharmacy


    Michael Valdez


     


    Chapter 38. Don’t Smile


    Nigel Townsend


     


    Chapter 39. Taking over Authorship – The Power of Writing Processes for another Science


    Lydia Schulze Heuling & Laura Colucci-Gray


     


    Chapter 40. Discussing problematic legacies of science through theatre: racism, misogyny, and skull measuring in The Science of the Future


    Daniel Gamito-Marques


     


    Chapter 41. Wild Things: Using improvised comedy to communicate and explore conservation science


    Sofia Castelló y Tickell & Matthew Kemp


     


    Chapter 42. ‘A Small Show About Big Ideas: Third Angel’s 600 People’


    Simon Goodwin, Alex Kelly & Rachael Walton


     


     


    Index


     

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