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  • Philosophy and Film: Bridging Divides

    Philosophy and Film by Rawls, Christina; Neiva, Diana; Gouveia, Steven S.;

    Bridging Divides

    Series: Routledge Research in Aesthetics;

      • GET 20% OFF

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      • Publisher's listprice GBP 145.00
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        69 273 Ft (65 975 Ft + 5% VAT)
      • Discount 20% (cc. 13 855 Ft off)
      • Discounted price 55 419 Ft (52 780 Ft + 5% VAT)

    69 273 Ft

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    Estimated delivery time: In stock at the publisher, but not at Prospero's office. Delivery time approx. 3-5 weeks.
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    Short description:

    This book brings together scholars working across a range of philosophical traditions and academic disciplines to broaden and advance debates on film and philosophy.

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    Long description:

    This volume collects twenty original essays on the philosophy of film. It uniquely brings together scholars working across a range of philosophical traditions and academic disciplines to broaden and advance debates on film and philosophy. The book includes contributions from a number of prominent philosophers of film including Noël Carroll, Chris Falzon, Deborah Knight, Paisley Livingston, Robert Sinnerbrink, Malcolm Turvey, and Thomas Wartenberg.


    While the topics explored by the contributors are diverse, there are a number of thematic threads that connect them. Overall, the book seeks to bridge analytic and continental approaches to philosophy of film in fruitful ways. Moving to the individual essays, the first two sections offer novel takes on the philosophical value and the nature of film. The next section focuses on the film-as-philosophy debate. Section IV covers cinematic experience, while Section V includes interpretations of individual films that touch on questions of artificial intelligence, race and film, and cinema’s biopolitical potential. Finally, the last section proposes new avenues for future research on the moving image beyond film.


    This book will appeal to a broad range of scholars working in film studies, theory, and philosophy.

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    Table of Contents:

     

    Preface


    Thomas E. Wartenberg



    Part I: The Nature of Film


    Chapter 1: (Collapsed) Seeing-In and the (Im-)Possibility of Progress in Analytic Philosophy (of Film)


    Malcolm Turvey



    Chapter 2: The World Viewed and the World Lived: Stanley Cavell and Film as the Moving Image of Skepticism


    Jônadas Techio



    Chapter 3: The Morph-Image: Four Forms of Post-Cinema


    Steen Ledet Christiansen



    Chapter 4: Deleuze’s Cronosigns


    Susana Viegas



    Part II: The Film as Philosophy Debate


    Chapter 5: The Bold Thesis Retired: On Cinema as Philosophy


    Paisley Livingston



    Chapter 6: Film as Philosophical Thought Experiment: Some Challenges and Opportunities


    Tom McClelland



    Chapter 7: Are there Definite Objections to Film as Philosophy? Metaphilosophical considerations


    Diana Neiva



    Chapter 8: Philosophical Dimensions of Cinematic Experience


    David Davies



    Part III: The Philosophical Value of Film


    Chapter 9: Philosophical Experience and Experimental Film


    Christopher Falzon



    Chapter 10: Filmmaking as self-writing: Federico Fellini’s (1963)


    Roberto Mordacci



    Chapter 11: Film and Ethics


    Robert Sinnerbrink



    Part IV: Cinematic Experience


    Chapter 12: Movies, Narration and the Emotions


    Noël Carroll



    Chapter 13: Predictive Processing and the Experimental Solution for the Paradox of Fiction


    Dina Mendonça



    Chapter 14: The lived experience of Motion Pictures: A Phenomenological Approach to Cinema


    Hanna Trindade



    Part V: Interpreting Cinematic Works


    Chapter 15: The Blade Runner Question: From Philosophy to Myth


    Deborah Knight



    Chapter 16: Race, Bodies and Lived Realities in Get Out and Black Panther


    Mary K. Bloodsworth-Lugo



    Chapter 17: Transnational Bio-Political Motives in Postmodern Cinema: Žižek and Badiou on Udi Aloni’s Forgiveness and Local Angel


    Oana Serban



    Part VI: Further Debates


    Chapter 18: Cinema and Television: The Art and Industry of Joint Works


    Inês Rebanda Coelho



    Chapter 19: Towards a Natural Screen Philosophy


    Hunter Vaughn



    Chapter 20: Metaphysical Alter-Egos: Matheson, Dunne and the View From Somewhere


    John Ó Maoilearca

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