Intersecting Art and Technology in Practice
Techne/Technique/Technology
Series: Routledge Advances in Art and Visual Studies;
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Product details:
- Edition number 1
- Publisher Routledge
- Date of Publication 10 December 2019
- ISBN 9780367874124
- Binding Paperback
- No. of pages242 pages
- Size 229x152 mm
- Weight 453 g
- Language English 10
Categories
Short description:
This book focuses on the artistic process, creativity and collaboration, and personal approaches to creation and ideation in making digital and electronic technology-based art.
MoreLong description:
This book focuses on the artistic process, creativity and collaboration, and personal approaches to creation and ideation, in making digital and electronic technology-based art. Less interested in the outcome itself – the artefact, artwork or performance – contributors instead highlight the emotional, intellectual, intuitive, instinctive and step-by-step creation dimensions. They aim to shine a light on digital and electronic art practice, involving coding, electronic gadgetry and technology mixed with other forms of more established media, to uncover the practice-as-research processes required, as well as the collaborative aspects of art and technology practice.
MoreTable of Contents:
Foreword
Ruth Catlow and Marc Garrett
Introduction
Camille Baker and Kate Sicchio
Theme 1: Artistic process/challenges
1. Intuition and Creative Process Methodologies in Digital Performance
Camille Baker
2. 60ma: experimenting with performing with electrodes/ experiences in digital art practice
Georg Hobmeier
3. The Bleeding Self in Digital Performance Practice: artistic challenges in digital media practice
Lorna Moore
4. Making Speculative Technologies
Kristina Anderson
5. Construction of processes to live audiovisual performance
Ana Carvalho
6. NO PLACE: Presence, Performance and Virtuality
Kate Genevieve
7. Imagination, Art and Reality
Ben Bogart
Theme 2: Collaborations
8. Cultivating permaCultural resilience (pCr) : The permaCultural dérive as an Itinerant’s approach to a techne of becoming
Anita McKoewn
9. The Immanent Researcher
Kate Sicchio
10. Temporal Scaffolding: A collaborative and networked infrastructure of techne, screendance, AR, affect, place and smart mobile devices in the project AffeXity
Jeannette Ginslov
11. Neurocinematics: the first hand experience of a filmmaker in collaboration with neuroscientists
Pia Tikka
12. Shifting Our Horizons: Exploring Mobility In Micro Production & Floating Exhibition
Max Schleser and Antony Nevin
Theme 3: Shared Knowledge:
13. Sharing Knowledge through Networked Collaboration
Helen Varley Jamieson
14. Methodologies of Risk and Experimental Prototyping
Nancy Mauro-Flude
15. Behind the Idea and meta models for creativity
Alison Williams
16. Mass Colla
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