Surrealism, Science Fiction and Comics by Parkinson, Gavin;

Sorozatcím: Liverpool Science Fiction Texts and Studies; 50;

Kiadói listaár GBP 114.50
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54 702 Ft (52 097 Ft + 5% áfa)

54 702 Ft

Beszerezhetőség

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A Prosperónál jelenleg nincsen raktáron.

A termék adatai:

Kiadó Liverpool University Press
Megjelenés dátuma 2015. május 5.

ISBN 9781781381434
Kötéstípus Keménykötés
Terjedelem288 oldal
Méret 239x163 mm
Súly 500 g
Nyelv angol
Illusztrációk 24 illustrations

Kategóriák

Epika, elbeszélő irodalom

Rövid leírás:

The first book to look at the relationship either between Surrealism and Science Fiction or between Surrealism and comics.

Több

Hosszú leírás:

Although the self-definition of Surrealism and the initial defining of science fiction as a genre both took place in the 1920s and the links between the two are manifest, no full study has appeared till now on Surrealism and SF. Across ten original essays, Surrealism, Science Fiction and Comics looks at how the Surrealist movement in France and the USA used, informed, contributed to, and criticised SF from that moment, whilst including discussion of the related genre of comics. Among its aims are a reassessment of Jules Verne in the light of Surrealism and an analysis of the debate in the 1950s on the ‘new’ Anglo-American literature arriving in France. This received, in fact, a mixed reception from the Surrealists of that decade even though writers and intellectuals close to the movement in the 1920s were directly responsible for its success. The book includes further essays on the subsequent impact of Surrealism on SF novelists J.G. Ballard and Alan Burns, and features essays that argue for Salvador Dalí’s closeness to SF in the 1960s and his disagreement with the earlier scientific romance defined by Verne. The chapters that bring in comics range from theoretical discussions of the relation between the original comic strips of Rodolphe Töpffer and the key Surrealist technique of automatism, used in art and writing, through the cybernetic implications of the proto-SF Surrealist ciné-roman ‘M. Wzz…’ of 1929, which has never discussed in any detail before, to the 1948 Vache paintings by René Magritte, inspired by Louis Forton’s strip Les Pieds nickelés. This pioneering set of essays shows how Surrealism from the 1920s to the 1970s did not just receive and adapt SF but impacted the genre in its later manifestations.