Persian Authorship and Canonicity in Late Mughal Delhi by Keshavmurthy, Prashant;

Rövid leírás:

Persian Authorship and Canonicity in Late Mughal Delhi situates the diverse textual projects of ‘Abd al-Qādir “Bīdil” and his students within the context of politically threatened but poetically prestigious Delhi, exploring the writers’ use of the Perso-Arabic and Hindavi literary canons to fashion their authorship. Break

Hosszú leírás:

Writing in the eighteenth century, the Persian-language litterateurs of late Mughal Delhi were aware that they could no longer take for granted the relations of Persian with Islamic imperial power, relations that had enabled Persian literary life to flourish in India since the tenth century C.E.

Persian Authorship and Canonicity in Late Mughal Delhi situates the diverse textual projects of ‘Abd al-Qādir “Bīdil” and his students within the context of politically threatened but poetically prestigious Delhi, exploring the writers’ use of the Perso-Arabic and Hindavi literary canons to fashion their authorship. Breaking with the tendency to categorize and characterize Persian literature according to the dynasty in power, this book argues for the indirectness and complexity of the relations between poetics and politics. Among its original contributions is an interpretation of Bīdil’s Sufi adaptation of a Braj-Avadhi tale of utopian Hindu kingship, a novel hypothesis on the historicism of Sirāj al-Din ‘Alī Khān “Ārzū”s oeuvre and a study of how Bindrāban Dās “Khvushgū" entwined the contrasting models of authorship in Bīdil and Ārzū to formulate his voice as a Sufi historian of the Persian poetic tradition.

The first book-length work in English on ‘Abd al-Qādir “Bīdil” and his circle of Persian literati, this is a valuable resource for students and scholars of both South Asian and Iranian studies, as well as Persian literature and Sufism.

Tartalomjegyzék:

Introduction: Political Frailty and Poetic Power in Late Mughal Delhi 1 Bidil’s Portrait: Ekphrasis as Ascetic Self-Transformation 2 Bidil’s Tarji-band: the Author’s Kenotic Chorus 3 A Hindu Allegory of the Islamic Philosopher King: the Tale of Madan and Kamdi in Bidil’s Irfan 4 The Local Universality of Poetic Pleasure: Siraj al-Din ‘Ali-Khan “Arzu” and the Speaking Subject 5 Khvushgu’s Dream of Hafiz: Building an Ark with Arzu and Bidil