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    Kívánságlista
    The Sublimity of Document: Cinema as Diorama

    The Sublimity of Document by MacDonald, Scott;

    Cinema as Diorama

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    A termék adatai:

    • Kiadó OUP USA
    • Megjelenés dátuma 2019. augusztus 13.

    • ISBN 9780190052133
    • Kötéstípus Puhakötés
    • Terjedelem560 oldal
    • Méret 155x231x35 mm
    • Súly 953 g
    • Nyelv angol
    • 0

    Kategóriák

    Rövid leírás:

    The Sublimity of Document: Cinema as Diorama is a collection of in-depth, substantive interviews with filmmakers devoted to documenting places and events that most of us never get to see-often, places and events that have considerable influence on our lives.

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    Hosszú leírás:

    The Sublimity of Document: Cinema as Diorama is a collection of in-depth, substantive interviews with moving-image artists working "avant-doc, that is, making films that explore the territory between documentary and experimental cinema.

    The book uses the early history of the museum habitat diorama of animal life, specifically the Hall of African Mammals at the American Museum of Natural History, as a way of rethinking both early and modern cinema document-and especially those recent filmmakers and films that are devoted to providing viewers with panoramic documentations of places and events that otherwise they might never have opportunities to experience in person.

    This international collection of 27 interviews follows on MacDonald's earlier Avant-Doc: Intersections of Documentary and Avant-Garde Cinema (Oxford, 2015). The interviews, organized panoramically within the collection, are dense with information and insight, and readable by specialists and non-specialists alike. In most instances, these are the most in-depth and expansive-sometimes the first-interviews with these filmmakers.

    Together, these interviews offer an engaging panorama of the recent history and geography of cinema devoted to documenting the world around us, as well as an in-depth look at the challenges and accomplishments of filmmakers willing to go anywhere on the planet (or on the internet!) to document what they believe we need to see.

    MacDonald's general introduction provides an overall context for the collection, which includes interviews with Ron Fricke, Gustav Deutsch, Laura Poitras, Fred Wiseman, Nikolaus Geyrhalter, Bill Morrison, Brett Story, Abbas Kiarostami, Lois Pati?o, Dominic Gagnon, Erin Espelie, Yance Ford, Janet Biggs, Carlos Adriano, Craig Johnson, Ben Russell, Betzy Bromberg, James Benning, Maxim Pozdorovkin, along with several veterans of Harvard's Sensory Ethnography Lab (and with the executive directors of the distributor, Documentary Educational Resources, which has served the field of independent documentary for nearly fifty years)-each interview is introduced with MacDonald's overview of the interviewee's life and work.

    The book includes filmographies and selected bibliographies for all the filmmakers

    The Sublimity of Document may be the most aesthetically satisfying book of published interviews I've ever read. MacDonald has included a wealth of black-and-white images to accompany each interview and several separate sections of glossy, full-color frames from many of the films under discussion.

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    Tartalomjegyzék:

    Introduction
    Ron Fricke
    Gustav Deutsch
    Laura Poitras
    Fred Wiseman at the Brattle Theater with Hospital, July 19, 2010
    Nikolaus Geyrhalter
    Bill Morrison
    Brett Story
    Abbas Kiarostami at Bard College with Five, March 4th, 2007
    Lois Pati?o
    Dominic Gagnon
    Erin Espelie
    Yance Ford, on Strong Island
    Janet Biggs
    Carlos Adriano
    Craig Johnson
    Ben Russell, on Good Luck
    Betzy Bromberg
    James Benning
    Documentary Educational Resources (DER), a brief oral history
    Pozdorovkin, on Our New President
    "Sensory Ethnography" part 2: interviews with J.P. Sniadecki, Stephanie Spray, Véréna
    Paravel, Libbie Cohn, Joshua Bonnetta
    Filmography
    Bibliography
    Index

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