The European Tragedy of Troilus by Boitani, Piero;

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This book, the first to be devoted to the story of Troilus and Cressida as it develops through the ages and in various literatures, is the joint effort of an international team of scholars. It studies a myth which represents an important aspect of the European imagination: the way in which the problems of love and death are faced in narrative, poetry, drama, and opera. From the Greeks, Etruscans, and Romans the story passes into the hands of artists such as Benoit de Sainte Maure, Boccaccio, Chaucer, Henryson, Shakespeare, and Dryden, and is finally resurrected in the twentieth century in America, England, and Germany. This book analyses the changes - both literary and more broadly imaginative - that minor and major writers have introduced, and thus constitutes the product of a truly intertextual and comparative approach. While devoting attention to all these authors and their works, the volume concentrates on the treatment of the theme in Chaucer and Shakespeare and is therefore aimed at students of English and Comparative Literature as well as those general readers who are interested in the history of European culture.

Contributors:Piero Boitani, University of Rome, Malcolm Andrew, Queen's University, Belfast, C. David Benson, University of Connecticut, Jill Mann, University of Cambridge, Karl Reichl, University of Bonn, Anna Torti, University of Verona, Barry Windeatt, University of Cambridge, Sergio Rufini, University of Perugia, Giulia Natali, University of Rome, Agostino Lombardo, University of Rome, Roberto Antonelli, University of Rome, Derek Brewer, University of Cambridge

`this volume provides an extremely lively account both of the development of the Troilus narrative and also of the cultural implications of these development of the Troilus narrative and also of the cultural implications of these developments.
' The contributors to this splendidly collaborative venture are drawn from Italy, England, America and Germany, and work with remarkable harmony in a variety of critical styles ranging from the refreshingly belletristic to the close analysis of genre and philosophical vocabularly. Anyone who wishes to see criticism and scholarship at their best - entirely free of idees fexes or of aggression - is bound to welcome this volume.'
The moving spirit of the book is the editor Piero Boitani, professor of English in Rome, who has already established himself as the foremost medievalist of his generation.'
Robin Kirkpatrick, Weekend Telegraph