The Bloomsbury Handbook of Modernist Archives by Callison, Jamie; Feldman, Matthew; Svendsen, Anna; Tonning, Erik;

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Providing a broad, definitive account of how the 'archival turn' in humanities scholarship has shaped modernist studies, this book also functions as an ongoing 'practitioner's toolkit' (including useful bibliographical resources) and a guide to avenues for future work.

Archival work in modernist studies has revolutionised the discipline in the past two decades, fuelled by innovative and ambitious scholarly editing projects and a growing interest in fresh types of archival sources and evidence that can re-contextualise modernist writing. Several theoretical trends have prompted this development, including the focus on compositional process within genetic manuscript studies, the emphasis on book history, little magazines, and wider publishing contexts, and the emphasis on new material evidence and global and 'non-canonical' authors and networks within the 'New Modernist Studies'.

This book provides a guide to the variety of new archival research that will point to fresh avenues and connect the methodologies and resources being developed across modernist studies. Offering a variety of single-author case studies on recent archival developments and editing projects, including Samuel Beckett, Hart Crane, H.D., James Joyce, Dorothy Richardson, May Sinclair and Virginia Woolf, it also offers a range of thematic essays that examine an array of underused sources as well as the challenges facing archival researchers of modernism

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List of Illustrations
A Note on Contributors
Acknowledgements

Introduction: Re-Presenting and Re-Imagining Modernist Archives, Jamie Callison (University of Agder, Norway), Matthew Feldman (University of York, UK), Anna Svendsen (Independent Researcher) and Erik Tonning (NLA University College, Norway)

Part I: Authors
1. Materials from a ""World Record"": W.B. Yeats and his Archives, Charles I. Armstrong (University of Agder, Norway)
2. 'Will Future Editor Kindly Omit...': Evelyn Waugh in Conversation with his Archives, Barbara Cooke (Loughborough University, UK) and Naomi Milthorpe (University of Tasmania, Australia)
3. 'True to Oneself! Which Self?': Katherine Mansfield in her Letters, Gerri Kimber (University of Northampton, UK)
4. Fragmentary, Elusive, Modernist: The Mina Loy Papers at the Beinecke Rare Book and Manuscript Library, Laura Scuriatti (Bard College Berlin, Germany)
5. Archiving the Intellectual Life: May Sinclair's Workbooks, Rebecca Bowler (Keele University, UK) and Stanislava Dikova (University of Essex, UK)
6. 'Let Me Be Free of Printers': Ezra Pound's Generative Archive, Mark Byron (University of Sydney, Australia)
7. Ransom-ing D.H. Lawrence: The Archive and New Trajectories in Lawrence Studies, Elliott Morsia (Independent Scholar)
8. Archive as Personal 'Disastar': The Malcolm Lowry Collection at the University of British Columbia and Beyond, Chris Ackerley (University of Otago, New Zealand) and Patrick A. McCarthy (University of Miami, USA)
9. Hart Crane's The Bridge: Publishing a Fragmentary Whole, Francesca Bratton (Maynooth University, Ireland)
10. Samuel Beckett's Manuscripts: A Literary Archive in the Digital Age, Olga Beloborodova (University of Antwerp, Belgium), Dirk Van Hulle (University of Oxford, UK) and Pim Verhulst (University of Oxford, UK)
11. Curation, Collaboration and Creativity in the Archives of Virginia Woolf, Jane de Gay (Leeds Trinity University, UK)
12. Beyond Archive Fever: The Complexities of Editing Dorothy Richardson's Oeuvre for the 21st Century, Jo Winning (Monash University, Australia)
13. The Archival In-Life of James Joyce, Ronan Crowley (Goethe University Frankfurt, Germany)
14. From the Oracular Archives': The Dylan Thomas Poetry Archive, John Goodby (Sheffield Hallam University, UK)
15. The Text and 'The Presence': Gertrude Stein's Archives, Isabelle Parkinson (Royal Holloway University of London, UK)
16. Additions and Editions: H.D. and the Archive, Jamie Callison (University of Agder, Norway) and Matte Robinson (St Thomas University, Canada)

Part II: Themes
17. Archives of the Air: The BBC Written Archives Centre and Radio Voices of the Global Anglophone, Ben Fried (University of London, UK)
18. Private Presses and Commercial Concerns: The Modernist Publisher's Archive, Evi Heinz (University of Munster, Germany) and Gareth Mills (Independent Scholar)
19. Fashion: Expanded Histories, New Epistemologies, Sophie Oliver (University of Liverpool, UK)
20. Displacements and Juxtapositions, Emily Ridge (University of Galway, Ireland)
21. Broadcasting the Stories of Katherine Mansfield: The BBC Written Archive Centre, Janet M. Wilson (University of Northampton, UK)
22. Modernist Autobiography, Audience and the Archives, Rod Rosenquist (University of Northampton, UK)
23. Media Archives and Postcolonial/Decolonial Voice, Julie Cyzewski (Murray State University, USA)
24. Coterie Literature and the Affinities of the Archive, Michelle A. Taylor (Emory University, USA)
25. The Modernist Archive Gap: Black Writers and Canonicity in the Digital Era, Amardeep Singh (Lehigh University, USA)
26. Translation in the Global Modernist Archive, Alys Moody (Bard College, USA)

Index