Sinophonecene? by Koch, Franziska; Wölfing, Nora; Brosius, Cila;

Tracing Environmental and Cohabitational Perspectives in Contemporary Chinese Art

Sorozatcím: Contemporary East Asian Visual Cultures, Societies and Politics;

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A termék adatai:

Kiadó Springer Nature Singapore
Megjelenés dátuma 2026. március 19.
Kötetek száma 1 pieces, Book

ISBN 9789819500857
Kötéstípus Keménykötés
Terjedelem417 oldal
Méret 210x148 mm
Nyelv angol
Illusztrációk VI, 417 p. 62 illus., 61 illus. in color. Illustrations, black & white

Kategóriák

A művészetről általában Keleti (és egyéb) filozófia Kulturális tanulmányok Kulturális antropológia

Hosszú leírás:

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This book traces the intersections between the growing controversies revolving around the Anthropocene on the one hand, and artistic and curatorial practices situated in the Sinophone world on the other. Exploring the relevance and multiple relations of both concepts as mediated in specific aesthetic, visual, and performative practices, and affiliated understandings of the planetary, seven academic case studies, supplemented by four conversations with emergent and senior curators, map the “Sinophonecene”. Accounting for the transcultural entanglements of different ontologies—humans, plants, animals, as well as technoid beings—and being aware of Man’s epistemological conditions and limits, the recent concept helps to think through global issues of habitability and interspecies relationships with regard to the particular world of Chinese contemporary art. Eschewing essentialist, nationalist, civilizational, and human-centric notions of “Chineseness” in favor of more “worlded” approaches, the multi-vocal chapters also contribute to bridging existent divides between area specialists, art historians, artists, curators and educators, who are engaged in the field.

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Több

Tartalomjegyzék:

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1. Tracing Environmental and Cohabitational Perspectives in Chinese Art and Querying the “Sinophonecene”.- Part I. Habitability as Question and Praxis: How Does the Sinophonecene Matter?.- 2. The Sinophonecene in More-than-Asian Studies: Planetarity, Habitability, and the Cosmopublic.- 3. Tong Wenmin: A Walking Forest.- 4. The Sensation of Time in China’s Urbanizing Environments as Captured by Sponge Gourd Collective’s Video Works.- 5. Responding to Environmental Destruction through Contemporary Shanshui Art: Li Huayi’s Uninhabited Landscapes and Yang Yongliang’s Overpopulated Cityscapes.- 6. The Virtual Grass is Always Greener – Nature in Contemporary Media Art from the Sinophone Region.- 7. Have You Seen a Subhuman Cry? How the Films “Extractions” (Theo Jean Cuthand, 2019) and “Eme Cosmos” (Mia Yu, 2024) Explore Cosmotechnical Worldings in Canada and China.- 8. Contemporary Art in the Sinophonecene: Artistic Criticality, Defamiliarization and the Traces of Syncretic Confucianism.- Part II. Curating (with) Inhabitants – Inhabiting (with) Curators: Conditions, Perspectives, Challenges.- 9. Introduction: Co-constituting, Mediating and Querying the “Sinophonecene” through Curatorial Practice.- 10. Conversing with ZONG Xiao about “Metamorphic Ecosphere”.- 11. Conversing with Mia YU about “Fossil Sunlight, Sedimentary Bodies”.- 12. Conversing with GONG Jow-Jiun about “Wild Rhizome”.- 13. Conversing with Bettina FREIMANN about “Clear River – Calm Sea”.

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