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  • Sampling Media

    Sampling Media by Laderman, David; Westrup, Laurel;

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    A termék adatai:

    • Kiadó OUP USA
    • Megjelenés dátuma 2014. április 3.

    • ISBN 9780199949311
    • Kötéstípus Keménykötés
    • Terjedelem284 oldal
    • Méret 163x239x20 mm
    • Súly 615 g
    • Nyelv angol
    • Illusztrációk 44 photographs
    • 0

    Kategóriák

    Rövid leírás:

    Sampling Media digs deep into sampling practices across audio-visual media, from found footage filmmaking to Internet "memes" that repurpose music videos, trailers and news broadcasts. The book extends the conceptual boundaries of sampling by emphasizing its inter-medial dimensions, exploring its politics, and examining its historical and global scope.

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    Hosszú leírás:

    This book puts sampling studies on the academic map by focusing on sampling as a logic of exchange between audio-visual media. While some recent scholarship has addressed sampling primarily in relation to copyright, this book is a first: a critical study of sampling and remixing across audio-visual media. Of special interest here are works that bring together both audio and visual sampling: music that samples film and television; underground dance and multimedia scenes that rely on sampling; Internet "memes" that repurpose music videos, trailers and news broadcasts; films and videos that incorporate a wide range of sampling aesthetics; and other provocative variations. Comprised of four sections titled "roots," "scenes," "cinema" and "web" this collection digs deep into and across sampling practices that intervene in popular culture from unconventional or subversive perspectives. To this end, Sampling Media extends the conceptual boundaries of sampling by emphasizing its inter-medial dimensions, exploring the politics of sampling practice beyond copyright law, and examining its more marginal applications. It likewise puts into conversation compelling instances of sampling from a wide variety of historical and contemporary, global and local contexts.

    With Sampling Media, David Laderman and Laurel Westrup have ushered in a monumental collection that extends and reroutes all previous discussions about sampling in the arts and culture. History, theory, law, technology and creative aesthetics are each explored with serious rigor, yet there is ample room here for the mirth and play that characterize the sampling sport. If you thought you knew what sampling is, this book will make you think again.

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    Tartalomjegyzék:

    About the Companion Website
    List of Contributors
    Introduction: Into the Remix: the Culture of Sampling
    Laurel Westrup and David Laderman
    PART I: ROOTS
    Chapter 1: Shadow/Play: The Cinematic, Remixed, by David Laderman
    Chapter 2 : Remixing With Rules: Constraint and Potential in Restrictive Remixes, by Richard L. Edwards
    Chapter 3 : "Whatever Rubbish Was at Hand": The Emergence of the Media Sample in Guy Debord's Films, by R.D. Crano
    Chapter 4 : Rigorous Infidelity: Whole Text Sampling in the Curatorial Work of Henri Langlois, Dewey Phillips, and Jean-François Lyotard, by Barry Mauer
    PART II: SCENES
    Chapter 5: The Sydney Club Scene and the Sampling of Global Electronic Dance Music Culture, by Ed Montano
    Chapter 6: Piggin' Out! Constructing Spanish Cultural History Through Media Sampling, by Miguel Fernández Labayen & Vicente Rodríguez Ortega
    Chapter 7: Time Stand Still: Sampling Scenes and Slowing Media, by Ryan Alexander Diduck
    Chapter 8: From Méjico Máxico to Político: Sampling the Past and the Present in the Mexican Musical Scene, by
    Héctor Fernández L'Hoeste
    PART III: CINEMA
    Chapter 9: Love in the Club: Karaoke Realism in Chinese and Hong Kong Cinema, by Brian Hu
    Chapter 10: Articulating a Hip Hop Sampling Aesthetic Through Film: Music and Memory in Three Hip Hop Documentaries, by Jesse Stewart
    Chapter 11: "Dreamlo-lo-lover Where Are You-u-u?" Sampling as Analysis, Sampling as Symptom, by
    Martin J. Zeilinger
    Chapter 12: (In)appropriation: Productions of Laughter in Contemporary Found Footage Films, by Jaimie Baron
    PART IV: WEB
    Chapter 13: All Work and No Play: Trailer Park, the Mashup, and Industrial Pedagogies, by Jonathan Cohn
    Chapter 14: Popular Culture through the Eyes, Ears, and Fingertips of Fans: Vidders, Anime Music Video Editors, and Their Sources, by Samantha Close
    Chapter 15: How the World is Being Remade: The Case of Antoine Dodson and the Limits of Sampling as Trans-Cultural and Cross-Class Expression, by Corella Di Fede
    Chapter 16: Thinking Through Sampling, Literally, by Laurel Westrup
    Afterword
    Sampling Across the Curriculum
    Laurel Westrup and David Laderman
    Bibliography
    Index

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