-
10% KEDVEZMÉNY?
- A kedvezmény csak az 'Értesítés a kedvenc témákról' hírlevelünk címzettjeinek rendeléseire érvényes.
- Kiadói listaár GBP 39.95
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18 037 Ft (17 178 Ft + 5% áfa)
Az ár azért becsült, mert a rendelés pillanatában nem lehet pontosan tudni, hogy a beérkezéskor milyen lesz a forint árfolyama az adott termék eredeti devizájához képest. Ha a forint romlana, kissé többet, ha javulna, kissé kevesebbet kell majd fizetnie.
- Kedvezmény(ek) 10% (cc. 1 804 Ft off)
- Kedvezményes ár 16 233 Ft (15 460 Ft + 5% áfa)
Iratkozzon fel most és részesüljön kedvezőbb árainkból!
Feliratkozom
18 037 Ft
Beszerezhetőség
A kiadónál véglegesen elfogyott, nem rendelhető. Érdemes újra keresni a címmel, hátha van újabb kiadás.
Why don't you give exact delivery time?
A beszerzés időigényét az eddigi tapasztalatokra alapozva adjuk meg. Azért becsült, mert a terméket külföldről hozzuk be, így a kiadó kiszolgálásának pillanatnyi gyorsaságától is függ. A megadottnál gyorsabb és lassabb szállítás is elképzelhető, de mindent megteszünk, hogy Ön a lehető leghamarabb jusson hozzá a termékhez.
A termék adatai:
- Kiadó Oxford University Press
- Megjelenés dátuma 2001. augusztus 30.
- ISBN 9780192631886
- Kötéstípus Puhakötés
- Terjedelem504 oldal
- Méret 240x168x26 mm
- Súly 948 g
- Nyelv angol
- Illusztrációk 33 line drawings, 6 halftones 0
Kategóriák
Rövid leírás:
A new volume in the Series in Affective Science, Music and Emotion; Theory and Research brings together leading researchers interested in both these topics to present the first integrative review of the complex relationship between music and emotion.
TöbbHosszú leírás:
The position of emotion in music has been a subject of considerable interest and debate. However emotional aspects of music have received surprising little attention in the 45 years since the publication of Leonard Meyer's classic work 'Emotion and meaning in music.' During that time, both 'music psychology' and 'emotion' have developed as lively areas of research, and the time is fitting therefore to try and bring together this multidisciplinary interest and take stock of what we
now know about this important relationship. A new volume in the Series in Affective Science, Music and Emotion; Theory and Research brings together leading researchers interested in both these topics to present the first integrative review of this subject. The first section reflects the various
interdisciplinary perspectives, taking on board views from philosophy, psychology, musicology, biology, anthropology, and sociology. The second section addresses the role of our emotions in the composition of music, the ways that emotions can be communicated via musical structures, the use of music to express emotions within the cinema. The third section looks at the emotions of the performer - how do they communicate emotion, how does their emotional state affect their own performance. The
final section looks at the ways in which our emotions are guided and influenced while listening to music, whether actively or passively. Music and Emotion is a timely book, one that will interest psychologists, musicologists, music educators, and philosophers.
One of the major merits of the book, which I think deserves high praise, is its multidisciplinarity, showing that the link between music and emotion is broad and can be viewed from many different and equally valid points of view.
Tartalomjegyzék:
Introduction
Music and emotion: introduction: Patrik N. Juslin and John A. Sloboda
Multidisciplinary Perspectives
Philosophical perspectives on music's expressiveness: Stephen Davies
Musicological approaches to emotion: Nicholas Cook and Nicola Dibben
Psychological perspectives on music and emotion: John A. Sloboda and Patrik N. Juslin
Listen to the brain: a biological perspective on musical emotions: Isabelle Peretz
Anthropological perspectives on music and emotion: Judith Becker
Aesthetic agency and musical practice: new directions in the sociology of music and emotion: Tia DeNora
Music and emotion: perspectives from music therapy: Leslie Bunt and Mercedes Pavlicevic
The Composer
Emotion and composition in classical music: historiometric perspectives: Dean Keith Simonton
The influence of musical structure on emotional expression: Alf Gabrielsson and Erik Lindstrom
Music as a source of emotion in film: Annabel J. Cohen
The Performer
The subjective world of the performer: Roland S. Persson
Negative emotions in music making: the problem of performance anxiety: Andrew Steptoe
Communicating emotion in music performance: a review and a theoretical framework: Patrik N. Juslin
The Listener
Music and emotion: distinctions and uncertainties: Leonard B. Meyer
Continuous measurement of self-report emotional response to music: Emery Schubert
Emotions in strong experiences with music: Alf Gabrielsson
Postlude
Music and emotion: commentary: John A. Sloboda and Patrik N. Juslin
