Marc Blitzstein
His Life, His Work, His World
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A termék adatai:
- Kiadó OUP USA
- Megjelenés dátuma 2012. október 18.
- ISBN 9780199791590
- Kötéstípus Keménykötés
- Terjedelem648 oldal
- Méret 239x155x53 mm
- Súly 998 g
- Nyelv angol
- Illusztrációk 38 photographs 0
Kategóriák
Rövid leírás:
Award-winning music historian Howard Pollack's new biography of Marc Blitzstein deftly captures the fascinating life and career of an American composer who was openly gay and Marxist at a time when neither was acceptable to the American public. The first biographer to deal with Blitzstein's music as well as his life, Pollack delves deeply into the Blitzstein's life, uncovering new details about his marriage to novelist Eva Goldbeck and his compositional process. Beautifully written and meticulously researched, this book is a must-have for any fan of Broadway or American music.
TöbbHosszú leírás:
A composer of enormous musical innovation and influence, Marc Blitzstein remains one of the most versatile and fascinating figures in the history of American music, his creative works running the gamut from Broadway musicals and film scores to concert and chamber pieces. As an open homosexual and a prominent leftist, Blitzstein constantly pushed the boundaries of acceptability in mid-century America in both his music and his life.
Award-winning music historian Howard Pollack's new biography is the first to put Blitzstein's music on equal footing with his politics, theatrical innovation, and other aspects of the composer's life. Pollack covers Blitzstein's life in full, from his childhood in Philadelphia to his violent death in Martinique at age 58. The author describes how this student of contemporary luminaries Arnold Schoenberg and Nadia Boulanger became swept up in the stormy political atmosphere of the 1920s and 1930s and throughout his career walked the fine line between his formal training and his populist principles in his composition. Indeed, Blitzstein developed a unique sound that drew on everything contemporary, from the high modernism of Schoenberg to swing and jazz. Pollack captures the astonishing breadth of Blitzstein's musical language--?from politically scandalous Broadway musicals like The Cradle Will Rock and No for an Answer, to the patriotic Airborne Symphony, to lesser known early pieces, film scores, and chamber works. A fearless artist, Blitzstein translated Bertolt Brecht and Kurt Weill's The Threepenny Opera during the heyday of McCarthyism and the red scare, and, with Leonard Bernstein and Lotte Lenya, turned it into an off-Broadway sensation.
Beautifully written, drawing on new interviews with friends and family of the composer, and making extensive use of new archival and secondary sources, Marc Blitzstein presents the most complete biography of this quintessentially American composer.
Those interested in twentieth-century music, American music, musical theater, LGBTQ history, Jewish composers, music informed by considerations of politics including race, ethnicity, gender, and sexuality, and leftist musicians and artists are in Pollacks debt for this magnificent, richly detailed study. It will, I trust, prompt many more performances, critical editions of scores, and greater analytical engagement with Blitzsteins music, generating fresh views on a remarkable composer and person.
Tartalomjegyzék:
Introduction
Chapter 1: The Boy from Philadelphia
Chapter 2: Journeyman Years
Chapter 3: Early Works (1924-1929)
Chapter 4: Life with Eva, I (1929-1931)
Chapter 5: From is 5 (1929) to the Piano Concerto (1931)
Chapter 6: Life with Eva, II (1932-1936)
Chapter 7: Critical Writings (1931-1940)
Chapter 8: From the Serenade (1932) to The Chesapeake Bay Retriever (1936)
Chapter 9: The Cradle Will Rock, I (1936-7)
Chapter 10: The Cradle Will Rock, II
Chapter 11: From The Spanish Earth (1937) to Danton's Death (1939)
Chapter 12: No for an Answer (1937-1940)
Chapter 13: From Valley Town (1940) to Labor for Victory (1942)
Chapter 14: To London and Back (1942-1945)
Chapter 15: From Freedom Morning (1943) to the Airborne Symphony (1946)
Chapter 16: From Goloopchik (1945) to The Guests (1949)
Chapter 17: Regina, I (1946-49)
Chapter 18: Regina, II
Chapter 19: The Threepenny Opera (1950-54) and Other Adaptations
Chapter 20: Reuben Reuben (1949-1955) and This is the Garden (1956-1957)
Chapter 21: More Music for Shakespeare (1950-58)
Chapter 22: Juno (1957-59)
Chapter 23: Final Years, I (1959-1961)
Chapter 24: Final Years, II (1961-64)
Chapter 25: The Unfinished Operas
Conclusion
