Gothic Print Culture, 1789-1900 by Camden, Jennifer; DeLucia, JoEllen;

Rövid leírás:

Gothic Print Culture, 1789-1900 sets innovations in print culture alongside the development of the Gothic aesthetic. Beginning in 1789, the year Ann Radcliffe’s first novel was published, these four volumes track the Gothic through its heyday in the 1790s and chart its persistence through the end of the century. 

Hosszú leírás:

Gothic Print Culture, 1789-1900 sets innovations in print culture alongside the development of the Gothic aesthetic. The rarely reprinted novels, chapbooks, magazine fictions, and plays these volumes collect suggest that the markers of the early Gothic—the fragmented texts and the lost or pseudonymous authors—are best understood within a history of mediation. Beginning in 1789, the year Ann Radcliffe’s first novel was published, these four volumes track the Gothic through its heyday in the 1790s and chart its persistence through the end of the century. In rapidly reprinting and adapting texts and disseminating them in a range of formats, print culture obscured textual origins and challenged the parameters of authorial identity, echoing in uncanny ways the conventions of the Gothic itself.

Tartalomjegyzék:

Volume 1. Novels

 Acknowledgments

General Introduction

Volume 1 Introduction

1. Anon., Phantoms of the Cloister; or The Mysterious Manuscript. A Novel (London, William Lane at the Minerva Press, 1795). 3 vols.

2. F. C. Patrick, The Jesuit, or the history of Antony Babington, Esq: a historical novel (London and Bath: R. Cruttwell, 1799). 3 vols.  

3. Eliza Ratcliffe, The Mysterious Baron or the Castle in the Forest: A Gothic Story (London: J. B. G. Vogel, 1808). 1 vol. 

4. Jacques Cazotte, Anon. Trans. Biondetta, or the Enamoured Spirit: A Romance. Translated from Le Diable Amoureux of M. Cazotte (London: John Miller, 1810). 1 vol. 

5. J. Hutton, The Castle of Altenheim, or the Mysterious Monk: A Tale. (Philadelphia: A. I. Dickinson, 1836). 1 vol.

6. J. W. Loudon, The Mummy! A Tale of the Twenty-Second Century (London: Henry Colburn, 1828). 3 vols.

7. W. H. Ainsworth, Windsor Castle: A Historical Romance (London: Henry Colburn, 1843).  1 vol.  

8. J. M. Rymer, The Apparition: a romance. (London: Edward Lloyd, 1846). 1 vol.

9. R. F. Burton, Vikram and the Vampire (London: Longman 1870). 1 vol.

10. M. A. Fleming, The Midnight Queen (New York: G.W. Dillingham, 1888). 1 vol.

11. J. Gordon, (pseud.), Vampires (London: Ward, Lock & Bowden, Ltd. 1893). 1 vol.

12. C. L. Daniels, Sardia: a tale of love (Boston: Lee & Shepard, 1891). 1 vol.

Bibliography

Index

Volume 2: Chapbooks

Acknowledgements

General Introduction

Volume 2 Introduction

Part 1. Publishers

1. Anon. Edmund and Albina or Gothic Times.: A romance in English Nights Entertainments, vol.2 (London: Ann Lemoine, 1801).

2. Robert Douglas, Highland Heroism or the Castles of Glencoe and Balloch in the Marvellous Magazine, vol. 2 (London: Thomas Tegg and Co, 1802).

3. Lucy Watkins, Romano Castle; or, the Horrors of the Forest. A Romance in Tales and Romances, vol. 2 (London: Dean & Munday, n.d.).

Part 2. Authors

4. Sarah Wilkinson, Zittaw the Cruel; or the Woodman’s Daughter: a polish romance. (London: B. Mace, n.d.).

5. Isaac Crookenden, Romantic Tales. The Revengeful Turk; or, Mystic Cavern. The Distressed Nun; or, Sufferings of Herselia di Brindoli of Florence. And the Vindictive Monk; or, Fatal Ring. (London: printed and sold by S. Fisher, also sold by T. Hurst, 1802).

6. Clarence E. Stone, The Phantom Horseman; or, Saved by a Spectre (Amherst, Mass: Robert A. Marsh, 1877).

Part 3. Novels to Chapbooks

7. Anon. The Castle of the Pyrenees in The Tell-Tale; or Universal Museum (London: printed by T Maiden for Ann Lemoine and J. Roe, 1803).

8. Anon. The Mysteries of Udolpho. A Romance. Founded on Facts; Comprising the Adventures & Misfortunes of Emily St. Aubert. To which is added Adolphus and Louisa; or, the Fatal Attachment. A Tale of Truth. (London: W. Mason, n.d.).

Part 4. Theater and Chapbooks

9. Anon. The Vampire, or Bride of the Isles, a Tale, Founded on the Popular Superstition of Caledonia. (London: J. Bailey, n.d.).

10. C. F. Barrett, The Round Tower, or the Mysterious Witness: an Irish legendary tale of the sixth century. (London: Tegg and Castleman, 1803).

Bibliography

Index

Volume 3: Miscellaneous Magazines

Acknowledgments

General Introduction

Volume 3 Introduction

1. E. F., ‘The Two Castles; A Romance’, Lady’s Magazine, vols 28–29 (June 1797), pp. 248–51; (August 1797), pp. 345–8; (September 1797), pp. 388–92; (November 1797), pp. 504–7; (December 1797), pp. 547–9; (April 1798), pp. 153–5; (June 1798), pp. 255–7; (August 1798), pp. 357–60; (September 1798), pp. 393–5; (October 1798), pp. 446–8; (November 1798), pp. 493–6.

2. E. W., ‘Edeliza; A Gothic Tale’, Lady’s Magazine, (September 1802), pp. 476–84.

3. M., ‘Two Monks’, Lady’s Monthly Museum; or Polite Repository of Amusement and Instruction (September 1798), pp. 207–13.

4. Anon., ‘Castle Walstenforth’, Lady’s Monthly Museum; or Polite Repository of Amusement and Instruction (January 1801), pp. 13–23; (February 1801), pp. 97–109; (March 1801), pp. 181–91.

5. Anon., ‘Laurenstein Castle; or the Ghost of a Nun,’ La Belle Assemblée or, Bell’s Court and Fashionable Magazine, Addressed Particularly to the Ladies (January 1809), pp. 15–9.

6. Anon., ‘Withered Arm’, Weekly Entertainer; and West of England Miscellany (15 May 1820), pp. 389–90.

7. Anon., ‘Castle Goblin, or the Tower of Neuftchaberg’, Weekly Entertainer; and West of England Miscellany (18 September 1820), pp. 337–9.

8. F. A., ‘The Italian Travellers’, Ladies’ Pocket Magazine (1830, Part 2), pp. 181–6.

9. J. H. Merivale, ‘Tales from the Cloister’, Blackwood’s Edinburgh Magazine (May 1820), pp. 132–6.

10. S. Ferguson, ‘The Involuntary Experimentalist’, Blackwood’s Edinburgh Magazine (October 1837), pp. 487–92.

11. S. Le Fanu, ‘The Ghost and the Bonesetter’, Dublin University Magazine, (January 1838), pp. 50–4.

12. J. Mangan, ‘The Man in the Cloak: A Very German Story’, Dublin University Magazine, (November 1838), pp. 552–68. 

13. Anon., ‘Legend of the Haunted Castle’, Family Herald: Useful Information and Amusement for the Million, (16 March 1844), pp. 705–6.

14. C. Crowe, ‘A Story of a Weir-Wolf,’ Hogg’s Weekly Instructor, (16 May 1846), pp. 184–9.

15. Henry Morley, ‘Death of a Goblin’, Household Words: A Weekly Journal (28 December 1850): 335–6.

16. George Augustus Sala, ‘A Dead Secret’, Household Words: A Weekly Journal (10 September 1853): 27–36.

17. A.M.F. Annan, ‘Three Nights in an Old Country House: A Grandmother’s Reminiscence’, Godey’s Lady’s Book (December 1846), pp. 255–60.

18. S. Annie Frost, ‘My Experience’, Godey’s Lady’s Book (June 1867), pp. 522–6.

19. Mary Elizabeth Braddon, ‘The Mystery at Fernwood’, Temple Bar: A London Magazine for Town and Country Readers, (November 1861), pp. 552–63; (December 1861), pp. 63–74.

20. Robert Louis Stevenson, ‘The Sire de Malétroit’s Door’, Temple Bar: A London Magazine for Town and Country Readers (January 1878), pp. 53–69.

21. Margaret Oliphant, ‘Earthbound’, Fraser’s Magazine for Town and Country (January 1880), pp. 118–44.

22. Andrew Lang ‘In Castle Dangerous’, Cornhill Magazine (May 1886), pp. 514–23.

Bibliography

Index

Volume 4: Drama

Acknowledgements

General Introduction

Volume 4 Introduction

1. J. C. Cross, Halloween, in Circusiana, or a Collection of the most favourite Ballets, Spectacles, Melo-dramas, &c. Performed at the Royal Circus, St George’s Fields Vol. I (Printed for the Author by T. Burton; and Published by Lackington, Allen and Co. Temple of the Muses, Finsbury-square, 1809), pp. 185-230.

2. William Dunlap, Ribbemont, or The Feudal Baron in Five Acts as Performed at the New-York Theatre (New York: Printed and Published by D. Longworth at the Shakespeare Gallery, 1803).

3. M. G. Lewis, One O’Clock, or The Knight and the Wood Demon (London: Published by Lowndes and Hobbes, Marquis Court, Drury Lane and Sherwood, Nealy and Jones, Paternoster Row, 1811).

4. J. D. Turnbull, The Wood Demon, or the Clock Has Struck (Boston: B. True, 1808).

5. C. Z. Barnett, The Phantom Bride; or the Castilian Bandit in Duncombe’s Editions vol. vii (London: Duncombe, 1830).

6. George Blink, The Vampire Bride, or the Tenant of the Tomb in Duncombe’s Acting Edition of the New British Theatre No. 61 (London: Duncombe, c. 1834).

7. William Bradwell, Castle of Otranto or, Harlequin and the Giant Helmet (London: Green’s Juvenile Drama, 1841 and 1854).

8. Charlotte M. S. Barnes, Octavia Bragaldi. in Plays, Prose and Poetry (Philadelphia: E.H. Butler & Co., 1848), pp. 9–118.

9. H. W. Grosette, Raymond and Agnes, or the Bleeding Nun of Lindenberg; a melodrama in two acts in Lacy's Acting Edition of plays, dramas, farces, extravaganzas; as performed at various theatres, 1848-1873.  Vol. 43. (London: Thomas Hailes Lacy:, n.d.)

10. Mark Lemon, The Haunted Man, in One Act, British Library, Add. Mss 53023K fols 1–42, Lord Chamberlin’s Collection of Plays.

11. Robert Reece, The Vampire (London: E. Rascol, 1872).

12. Edward Fitzball, The Flying Dutchman, or the Phantom Ship; a Nautical Drama in Three Acts, Cumberland’s Minor Theatre no 14 (London: Cumberland, 1829).

13. W. G. Wills and Percy Fitzgerald, Vanderdecken, Trinity College Library Dublin, Manuscripts and Archives, IE TCD MS 3739, fols. 1–69. 

14. Herman Charles Merivale, Ravenswood, a play in 4 acts, British Library, ‘printed for private circulation only’ (place of publication and publisher unknown, n.d.)

Bibliography

Index