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    Kívánságlista
    Behind the Curtain: Making Music in Mumbai's Film Studios

    Behind the Curtain by Booth, Gregory D.;

    Making Music in Mumbai's Film Studios

      • 10% KEDVEZMÉNY?

      • A kedvezmény csak az 'Értesítés a kedvenc témákról' hírlevelünk címzettjeinek rendeléseire érvényes.
      • Kiadói listaár GBP 145.00
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        65 467 Ft (62 350 Ft + 5% áfa)
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    65 467 Ft

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    Beszerezhetőség

    Megrendelésre a kiadó utánnyomja a könyvet. Rendelhető, de a szokásosnál kicsit lassabban érkezik meg.

    Why don't you give exact delivery time?

    A beszerzés időigényét az eddigi tapasztalatokra alapozva adjuk meg. Azért becsült, mert a terméket külföldről hozzuk be, így a kiadó kiszolgálásának pillanatnyi gyorsaságától is függ. A megadottnál gyorsabb és lassabb szállítás is elképzelhető, de mindent megteszünk, hogy Ön a lehető leghamarabb jusson hozzá a termékhez.

    A termék adatai:

    • Kiadó OUP USA
    • Megjelenés dátuma 2009. október 22.

    • ISBN 9780195327632
    • Kötéstípus Keménykötés
    • Terjedelem336 oldal
    • Méret 152x229x22 mm
    • Súly 658 g
    • Nyelv angol
    • Illusztrációk 21 black and white halftone and 3 line illustrations
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    Rövid leírás:

    Behind the Curtain examines the musicians who were composers, arrangers, assistants and studio performers in the Bollywood studios from the 1930s until the present. It offers a musical, technological, industrial, and social history of India's hegemonic popular music industry from the perspectives of the musicians and others who experienced it. is one of the few oral histories in ethnomusicology, and offers the first ground level view of this globally important music industry.

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    Hosszú leírás:

    Beginning in the 1930s, men and a handful of women came from India's many communities-Marathi, Parsi, Goan, North Indian, and many others--to Mumbai to work in an industry that constituted in the words of some, "the original fusion music." They worked as composers, arrangers, assistants, and studio performers in one of the most distinctive popular music and popular film cultures on the planet. Today, the songs played by Mumbai's studio musicians are known throughout India and the Indian diaspora under the popular name "Bollywood," but the musicians themselves remain, in their own words, "behind the curtain"--the anonymous and unseen performers of one of the world's most celebrated popular music genres.

    Now, Gregory D. Booth offers a compelling account of the Bollywood film music industry from the perspective of the musicians who both experienced and shaped its history. In a rare insider's look at the process of musical production from the late 1940s to the mid 1990s, before the advent of digital recording technologies, Booth explains who these unknown musicians were and how they came to join the film music industry. On the basis of a fascinating set of first-hand accounts from the musicians themselves, he reveals how the day-to-day circumstances of technology and finance shaped both the songs and the careers of their creator and performers. Booth also unfolds the technological, cultural, and industrial developments that led to the enormous studio orchestras of the 1960s-90s as well as the factors which ultimately led to their demise in contemporary India.

    Featuring an extensive companion website with video interviews with the musicians themselves, Behind the Curtain is a powerful, ground-level view of this globally important music industry.

    You won't find a better primer than this pocket-size one...Her tone is intelligent, invigorating and well-informed. Superb.

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    Tartalomjegyzék:

    Introduction - Who is Anthony Gonsalves?
    Part One - History, Technology, and a Determinist Milieu for Hindi Film Song
    Popular Music as Film Music
    Musicians and Technology in the Mumbai Film Music Industry
    Changing Structures in the Mumbai Film Industry
    Part Two - The Life of Music in the Mumbai Film Industry
    Origins, Training, and "Joining the Line"
    Roles, Relations, and the Creative Process
    Rehearsals, Recordings, and Economics
    Part Three - Music, Instruments, and Meaning from Musicians' Perspectives
    Orchestras and Orchestral Procedures, Instrumental Change, Arranging, and Programming
    Issues of Style, Genre, and Value in Mumbai Film Music
    Conclusion - Oral History, Change, and Accounts of Human Agency

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