Vision, Technology, and Subjectivity in Mexican Cyberpunk Literature
Series: Studies in Global Science Fiction;
- Publisher's listprice EUR 128.39
-
53 249 Ft (50 714 Ft + 5% VAT)
The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.
- Discount 20% (cc. 10 650 Ft off)
- Discounted price 42 600 Ft (40 571 Ft + 5% VAT)
Subcribe now and take benefit of a favourable price.
Subscribe
53 249 Ft
Availability
printed on demand
Why don't you give exact delivery time?
Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.
Product details:
- Edition number 2023
- Publisher Springer International Publishing
- Date of Publication 7 July 2023
- Number of Volumes 1 pieces, Book
- ISBN 9783031311550
- Binding Hardback
- No. of pages200 pages
- Size 210x148 mm
- Weight 409 g
- Language English
- Illustrations XI, 200 p. 476
Categories
Long description:
Vision, Technology and Subjectivity in Mexican Cyberpunk Literature interrogates an array of cyberpunk and post-cyberpunk science fiction novels and short stories from Mexico whose themes engage directly with visual technologies and the subjectivities they help produce – all published during and influenced by the country’s neoliberal era. This book argues that television, computers, and smartphones and the literary narratives that treat them all correspond to separate-yet-overlapping scopic regimes within the country today. Amidst the shifts occurring in the country’s field of vision during this period, the authors of these cyberpunk and post-cyberpunk narratives imagine how these devices contribute to producing specular subjects—or subjects who are constituted in large measure by their use and interaction with visual technologies. In doing so, they repeatedly recur to the posthuman figure of the cyborg in order to articulate these changes; Stephen C. Tobin therefore contends that the literary cyborg becomes a discursive site for working through the problematics of sight in Mexico during the globalized era. In all, these “specular fictions” represent an exceptional tendency within literary expression—especially within the cyberpunk genre—that grapples with themes and issues regarding the nature of vision being increasingly mediated by technology.
MoreTable of Contents:
Chapter 1: Introduction: Entering the Screen.- Chapter 2: “‘Where is my Eye?’ Gendered Cyborgs, the Male Gaze, and Lack in La primera calle de la soledad [The First Street of Solitude] and ‘Esferas de visión’ [‘Spheres of Vision’] by Gerardo Porcayo”.- Chapter 3: Televisual Subjectivities: Mediatic Ultraviolence and Disappearing Bodies in “Ruido gris” [“Gray Noise”] and Punto cero [Point Zero] by Pepe Rojo.- Chapter 4: Fake Presidents and Fake News: Holograms and Virtual Lenses in Eve Gil’s Virtus and Guillermo Lavín’s “Él piensa que algo no encaja” [“He Thinks Something is Off”].- Chapter 5: Conclusion: Specular Fictions in the Age of Embodied Internet
More
Blackstone's Statutes on Criminal Justice and Sentencing
8 116 HUF
7 305 HUF
The Bourbon King: The Life and Crimes of George Remus, Prohibition's Evil Genius
10 505 HUF
8 929 HUF
