The Sense of Sound
Musical Meaning in France, 1260-1330
Series: The New Cultural History of Music Series;
- Publisher's listprice GBP 83.00
-
37 474 Ft (35 690 Ft + 5% VAT)
The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.
- Discount 10% (cc. 3 747 Ft off)
- Discounted price 33 727 Ft (32 121 Ft + 5% VAT)
Subcribe now and take benefit of a favourable price.
Subscribe
37 474 Ft
Availability
printed on demand
Why don't you give exact delivery time?
Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.
Product details:
- Publisher OUP USA
- Date of Publication 31 May 2012
- ISBN 9780199732951
- Binding Hardback
- No. of pages400 pages
- Size 163x239x38 mm
- Weight 717 g
- Language English 0
Categories
Short description:
The Sense of Sound is a radical recontextualization of French song, 1260-1330. Situating musical sound against sonorities of the city, madness, charivari, and prayer, it argues that the effect of verbal confusion popular in music abounds with audible associations, and that there was meaning in what is often heard as nonsensical.
MoreLong description:
Among the most memorable innovations of music and poetry in thirteenth-century France was a genre that seemed to privilege sound over sense. The polytextual motet is especially well-known to scholars of the Middle Ages for its tendency to conceal complex allegorical meaning in a texture that, in performance, made words less, rather than more, audible. It is with such musical sound that this book is concerned. What did it mean to create a musical effect so potentially independent from the meaning of words? Is it possible such supermusical effects themselves had significance? The Sense of Sound offers a radical recontextualization of French song in the heyday of the motet c.1260-1330, and makes the case for listening to musical sound against a range of other potently meaningful sonorities, often premised on non-verbal meaning. In identifying new audible interlocutors to music, it opens our ears to a broad spectrum of sounds often left out of historical inquiry, from the hubbub of the medieval city; to the eloquent babble of madmen; to the violent clamor of charivari; to the charismatic chatter of prayer. Drawing on a rich array of artistic evidence (music, manuscripts, poetry, and images) and contemporary cultural theory, it locates musical production in this period within a larger cultural environment concerned with representing sound and its emotional, ethical, and social effects. In so doing, The Sense of Sound offers an experiment in how we might place central the most elusive aspect of music's history: sound's vibrating, living effect.
Dillons is a major contribution to a rich field of study. It deserves a wide readership.
Table of Contents:
Acknowledgements
Abbreviations
A Note to the Reader
About the Companion Website
Prologue
Chapter One Listening to the Past, Listening in the Past
Chapter Two Sound and the City
Chapter Three Charivari
Chapter Four Madness and the Eloquence of Nonsense
Chapter Five Sound in Prayer
Chapter Six Sound in Prayer Books
Chapter Seven Praying with Sound: The Hours of Jeanne d'Evreux and
Walters 102
Chapter Eight Devotional Listening and the Montpellier Codex
Epilogue
Bibliography
