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  • The Pronomos Vase and its Context

    The Pronomos Vase and its Context by Taplin, Oliver; Wyles, Rosie;

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      • Publisher's listprice GBP 187.50
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    Product details:

    • Publisher OUP Oxford
    • Date of Publication 12 August 2010

    • ISBN 9780199582594
    • Binding Hardback
    • No. of pages322 pages
    • Size 250x195x22 mm
    • Weight 914 g
    • Language English
    • Illustrations 58 in-text illustrations
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    Short description:

    A comprehensive and fully illustrated collection of essays on the Pronomos Vase, the single most important piece of pictorial evidence for ancient theatre to have survived from ancient Greece.

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    Long description:

    The Pronomos Vase is the single most important piece of pictorial evidence for ancient theatre to have survived from ancient Greece. It depicts an entire theatrical chorus and cast along with the celebrated musician Pronomos, in the presence of their patron god, Dionysos. In this collection of essays, illustrated with nearly 60 drawings and photographs, leading specialists from a variety of disciplines tackle the critical questions posed by this complex hub of evidence. The discussion covers a wide range of perspectives and issues, including the artist's oeuvre; the pottery market; the relation of this piece to other artistic, and especially celebratory, artefacts; the political and cultural contexts of the world that it was produced in; the identification of figures portrayed on it: and the significance of the Pronomos Vase as theatrical evidence. The volume offers not only the most recent scholarship on the vase but also some ground-breaking interpretations of it.

    The quality of The Pronomos Vase and its Context, edited by Oliver Taplin and Rosie Wyles, satisfies two fundamental requirements. First, among the fourteen scholars who come together here, from five different countries and from every appropriate branch of the discipline, the editors have invariably chosen exactly the right person to deal with each aspect. Secondly, the volume bears the stamp of unusually careful editing and integration: the various contributors not only cite each other's papers, but make use of each other's illustrations; best of all, there is an exceptionally good index, making it possible to locate every comment, identification or citation.

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    Table of Contents:

    Introduction
    A Description
    The Contexts of the Production and Distribution of Athenian Painted Pottery in c.400
    From Flat Page to the Volume of the Pot
    Satyr-Play and Tragedy, Faec to Face
    Aetiological Performance and Consecration in the Sanctuary of Dionysos
    The Context of Choregic Dedications
    The Transformation of Athenian Theatre Culture around 400 BC
    Who's Who on the Pronomos Vase?
    Tragic Theatre: Demetrios' Rolls and Dionysos' Other Woman
    The Man and the Music (and the Choregos?)
    Dance in Satyr Play
    The Tragic Costumes
    A Curtain Call?

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