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    The Novel of Neronian Rome and its Multimedial Transformations: Sienkiewicz's Quo vadis

    The Novel of Neronian Rome and its Multimedial Transformations by Wo--niak, Monika; Wyke, Maria;

    Sienkiewicz's Quo vadis

    Series: Classical Presences;

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    Product details:

    • Publisher OUP Oxford
    • Date of Publication 16 December 2020

    • ISBN 9780198867531
    • Binding Hardback
    • No. of pages350 pages
    • Size 240x165x25 mm
    • Weight 720 g
    • Language English
    • 54

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    Short description:

    This volume explores the historical novel Quo vadis written by the Polish author Henryk Sienkiewicz, examining how Sienkiewicz recreated Neronian Rome so vividly and the reasons why his novel was so avidly consumed and reproduced in new editions, translations, visual illustrations, and adaptations to the stage and screen.

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    Long description:

    The Polish writer Henryk Sienkiewicz was awarded the Nobel Prize for literature in 1905 largely on the basis of his historical novel Quo vadis: A Narrative of the Time of Nero. The novel's vivid and moving reconstruction of religious persecution and struggle against tyranny catapulted its author into literary stardom. But, before long, Quo vadis began to 'detach' itself from the person of its author and to become a multimedial, mass culture phenomenon. In the West and in the East, it was adapted for stage and screen, provided the inspiration for works of music and other genres of literature, was transformed into comic strips and illustrated children's books, was cited in advertising, and referenced in everyday objects of material culture. This volume explores the strategies Sienkiewicz used to recreate Neronian Rome and the reasons his novel was so avidly consumed and reproduced in new editions, translations, visual illustrations, and adaptations to the stage and screen across Europe and in the United States. The contributions render visible for English-speaking readers the impact of a Polish work of high literature on the presence of Nero, Christian persecution, and ancient Rome in Western popular culture.

    His paper is based on intimate acquaintance with the rhythms, leaders and main themes of Polish classicism. This level of insight should appeal greatly to an anglophone audience, who will surely learn much from its observations on the importance of Latinity to the creation of a Polish national image, especially under the Russian and German occupations, and from its analysis of the ways in which the Polish language was masterfully employed to construct an inspirational but believable picture of Neronian Rome.

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    Table of Contents:

    Introduction
    I. Literary Context
    The Paradoxes of Quo vadis: The Polish Classical Tradition in Action
    Sienkiewicz and the Topography of Ancient Rome. The Riddle of Ostrianum in Quo vadis
    Costumes in Henryk Sienkiewicz's Quo vadis and Their Literary and Painterly Sources
    Quo vadis and Ancient Rome in the United States, 1896-1905
    Comparing the Reception of Quo Vadis and Ben-Hur in the United States, 1896-1913
    II. Quo vadis up to the Second World War
    Quo vadis on the stage
    Dangerous Liaisons: Quo vadis? (1913, dir. Enrico Guazzoni) and the Previous Theatrical Adaptations of Sienkiewicz's Novel
    Word and Image: Competitive Adaptation in the Feature Film Quo vadis? (1913)
    Illustrating Quo vadis in Italy (1900-1925): Between Cultivated Tradition and Popular Culture
    Horror amid Sweetness: Kitsch and the Intertextual Strategies of Quo vadis Postcards
    III. Quo vadis post the Second World War
    'A more permanent world': Quo Vadis (1951), Runaway Production, and the Internationalisation of Hollywood
    M-G-M's QVO VADIS: From Historical Fiction to Screen Spectacle
    'O omnivorous powers, hail!': Film Dialogue in Quo Vadis (1951)
    Ursus as a Serial Figure
    The (In)discreet Charm of the Romans: Quo vadis (dir. Jerzy Kawalerowicz, 2001)

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