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  • "The Early Printed Illustrations of Dante's ""Commedia""" by Collins, Matthew;

    Series: The William and Katherine Devers Series in Dante and Medieval Italian Literature;

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      • Publisher's listprice GBP 50.00
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        22 575 Ft (21 500 Ft + 5% VAT)
      • Discount 10% (cc. 2 258 Ft off)
      • Discounted price 20 318 Ft (19 350 Ft + 5% VAT)

    22 575 Ft

    db

    Availability

    Estimated delivery time: In stock at the publisher, but not at Prospero's office. Delivery time approx. 3-5 weeks.
    Not in stock at Prospero.

    Why don't you give exact delivery time?

    Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.

    Short description:

    Provides the first systematic overview of the earliest illustrated editions of Dante---s poem, stretching from 1481 through 1596, and features over 230 illustrations. Collins explores the visual sources for the first illustrated editions of the Commedia, their narrative qualities, and their influence on Renaissance readers.

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    Long description:

    "

    The Early Printed Illustrations of Dante's ""Commedia"" provides the first systematic overview of the earliest illustrated editions of Dante's poem, stretching from 1481 through 1596, and features over 230 illustrations.

    Developing a series of interdisciplinary methods for studying early printed book illustrations, Matthew Collins explores the visual sources for the first illustrated editions of the Commedia, their narrative qualities, and their influence on Renaissance readers. He traces the visual genealogies that link these images to each other and to renderings of the poem in other media, including illuminated manuscripts and drawings, such as those by Sandro Botticelli. Collins additionally delves into a group of cartographically oriented renderings of Dante's afterlife, interpreting them in the context of the Age of Exploration. He addresses the utilitarian aspect of the illustrations as well by revealing the multidimensional role that these images played for Renaissance readers, particularly emphasizing their pedagogical and mnemonic uses.

    Of value to numerous disciplines, The Early Printed Illustrations of Dante's ""Commedia"" fills a gap in Dante studies and will inspire similar investigations into the visual representation of other literary works in the age of early print.

    "

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    Table of Contents:

    Introduction: Images and Genealogies at the Margins of Renaissance Cultural Historiography

    1. From Manuscript to Print: Broken Links and Bigger Pictures

    2. From Print to Manuscript: Ideology and Pedagogy in the Hands of Copyists

    3. From Drawing to Print (1): The Botticelli Questions

    4. From Drawing to Print (2): The Forgotten Morgan Dante Drawings

    5. Dante in the Age of Exploration: Meetings of Fact, Fiction, and Cartography

    6. Approaches to Visual Narrative: A Taxonomy

    7. Early Readership, Marginalia, and Mnemonics

    Conclusion: The Work of Book Art in the Age of Early Print

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