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  • Pulling Focus: Intersubjective Experience, Narrative Film, and Ethics

    Pulling Focus by Stadler, Jane;

    Intersubjective Experience, Narrative Film, and Ethics

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      • Publisher's listprice GBP 39.99
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        19 105 Ft (18 195 Ft + 5% VAT)
      • Discount 20% (cc. 3 821 Ft off)
      • Discounted price 15 284 Ft (14 556 Ft + 5% VAT)

    19 105 Ft

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    Product details:

    • Publisher Continuum
    • Date of Publication 24 May 2012
    • Number of Volumes Paperback

    • ISBN 9781441163028
    • Binding Paperback
    • No. of pages288 pages
    • Weight 413 g
    • Language English
    • Illustrations 42
    • 0

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    Long description:


    The most powerful films have an afterlife. Their sensory appeal and their capacity to elicit involvement in story, character and conflict reaches beyond the screen to subtly reframe the way spectators view ethical issues and agents within the narrative, and in the world outside the cinema. Pulling Focus: Intersubjective Experience and Narrative Film questions how cinematic narratives relate to and affect ethical life. Extending Martha Nussbaum and Wayne Booth's work on moral philosophy and literature to consider cinema, Dr. Stadler shows that film spectatorship can be understood as a model for ethical attention that engages the audience in an affective relationship with characters and their values. Building on Vivian Sobchack's Address of the Eye and Carnal Thoughts, she uses a phenomenological approach to analyse ethical dimensions of film extending beyond narrative content, arguing that the camera describes experience and views screen characters with an evaluative form of perception: an ethical gaze in which spectators participate. Films discussed include Dead Man Walking, Lost Highway, Batman Begins, Nil By Mouth, and Eternal Sunshine of the Spotless Mind.

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    Table of Contents:

    Chapter 1: Ethics in Narrative Form and Content


    Chapter 2: A Phenomenological Approach to the Ethics of Film


    Chapter 3: Losing the Plot: Narrative Structure and Ethical Identity


    Chapter 4: Under the Influence: Vice, Violence and Villainy


    Chapter 5: Resistance and Responsiveness: Emotion and Character Engagement


    Chapter 6: Imagination: Inner Sight and Silent Voices


    Chapter 7: Seeing in the Dark: Cinema, Ethics, and Alternative Engagement

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