Power and Propaganda in the Large Imperial Cameos of the Early Roman Empire
Series: Routledge Research in Art History;
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Product details:
- Edition number 1
- Publisher Routledge
- Date of Publication 10 April 2024
- ISBN 9781032324883
- Binding Hardback
- No. of pages208 pages
- Size 246x174 mm
- Weight 453 g
- Language English
- Illustrations 16 Illustrations, black & white; 17 Illustrations, color; 16 Halftones, black & white; 17 Halftones, color 602
Categories
Short description:
This study examines the five extant large Imperial cameos of the Early Roman Empire as a coherent whole, revealing that these gemstones were a referential group with complex interrelationships.
MoreLong description:
This study examines the five extant large Imperial cameos of the Early Roman Empire as a coherent whole, revealing that these gemstones were a referential group with complex interrelationships.
Power and Propaganda in the Large Imperial Cameos of the Early Roman Empire offers a feminist theory that explains why large Imperial cameos were in dialogue and why the medium appears with Octavian and disappears by the Flavian dynasty: female Imperial family members commissioned them to advance their husbands and sons. This volume is an introduction to large Imperial cameos and reveals their importance for the understanding of Roman art and iconography and the implications of its theorized Imperial female patronage.
The book will be of interest to scholars working in art history, classics, and archaeology.
MoreTable of Contents:
1. Large Imperial Cameos 2. Cleopatra and the Aquileia Dish 3. Livia and the Tazza Farnese 4. Livia and the Gemma Augustea 5. Agrippina the Elder and the Grand Camée de France 6. Agrippina the Younger and the Caligula and Roma Cameo Fragment 7. Agrippina the Younger, the Gemma Claudia, and the End of Large Imperial Cameos 8. The Revival of Large Imperial Cameos in the Fourth Century
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