Post-Yugoslav Metamuseums
Reframing Second World War Heritage in Postconflict Croatia, Bosnia and Herzegovina, and Serbia
Series: Palgrave Studies in Cultural Heritage and Conflict;
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Product details:
- Edition number 1st ed. 2022
- Publisher Springer International Publishing
- Date of Publication 21 September 2022
- Number of Volumes 1 pieces, Book
- ISBN 9783031102271
- Binding Hardback
- No. of pages259 pages
- Size 210x148 mm
- Weight 488 g
- Language English
- Illustrations XIII, 259 p. 40 illus., 35 illus. in color. Illustrations, black & white 297
Categories
Long description:
This book analyzes how Second World War heritage is being reframed in the memorial museums of the post-socialist, post-conflict states of Croatia, Bosnia and Herzegovina, and Serbia. It argues that in all three countries, a reluctance to confront undesirable parts of their national histories is the root cause explaining why the state-funded Second World War memorial museums remain stuck in the postsocialist transition. In most cases, Second World War museums, exhibitions, and displays conceived in the Yugoslav period have been left unchanged. However, there are also examples where new sections were added to the old ones and there are a small number of completely reconceptualized permanent exhibitions. The transitional position of the Second World War museums has made it possible to view these institutions as historical formations in their own right. The book will appeal to students and academics working in the fields of heritage and museums studies, memory studies, and culturalhistory of Southeast-Europe.
MoreTable of Contents:
Chapter 1: Introduction – Second World War Heritage as (Dis)Integration Tool.- Part I: Museums of the People’s Liberation Struggle in Yugoslavia (1945–1990).- Chapter 2: The Yugoslavization of the Museum Sphere.- Chapter 3: The People’s Liberation Struggle Museum.- Part II: Second World War Memorial Museums in the Yugoslav Successor States (1991–2022).- Chapter 4: Broken Museality.- Chapter 5: Curating (in) Transition.- Chapter 6: Exhibitions as Dysfunctional Mosaic Narratives.- Chapter 7: Conclusion – Transitional Metamuseology.
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