Moscow Conceptualism, 1975-1985
Words, Deeds, Legacies
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42 997 Ft
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Product details:
- Publisher Bloomsbury Publishing (UK)
- Date of Publication 27 June 2024
- Number of Volumes Hardback
- ISBN 9781350227866
- Binding Hardback
- No. of pages238 pages
- Size 236x162x20 mm
- Weight 620 g
- Language English
- Illustrations 44 bw illus 565
Categories
Long description:
As the last generation of underground artists in the Soviet Union and the first on the post-Soviet scene, Moscow conceptualists provide a unique point of view on the breakup of the USSR, the changing role of unofficial art in a repressive state, and the beginning of a new world order in both art and politics. Offering a counter-narrative to the tradition of Socialist Realism that dominates Soviet art history, this book provides insight into the production and activism of the experimental artists that worked in Moscow during this watershed moment in Russian history.
Based on extensive original research and in-depth interviews with the original artists, Nicholas demonstrates how the work of these radical, unconventional artists challenged the Soviet authorities, official doctrine, and even other colleagues in the nonconformist art world. They rebelled against political and artistic restraints alike, turning everyday texts and engaged performances into powerful statements of creative independence and unrestrained imagination.
Unlike many of their fellow dissenters, these artists rejected elitist notions about art for art's sake in favor of a more open, democratic, and on-going dialogue about everyday concerns. Their embrace of humor, their focus on the real meaning of words, and their insistence on the importance of broad participation in the creation of art make these artists important models for the challenges of our own time. A crucial link between the revolutionary avant-garde and contemporary protest art, Moscow conceptualism offers lessons for activists under pressure from authoritarian regimes around the world.
By highlighting the importance of laughter, imaginative outreach, and direct engagement with everyday citizens, this book presents fascinating evidence of the importance of individual protest and demonstrates that socially-engaged art can be a powerful weapon for change in building a better world.
Table of Contents:
List of Illustrations
Acknowledgements
Introduction: Art to the Masses in an Era of Stagnation
1. Rereading Moscow Conceptualism
2. Words Worth a Thousand Pictures
3. Performative Words and Collaborative Deeds
4. Words and Worlds: Models for Moscow (Post) Conceptualism
Notes
Bibliography
Index
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