Is God Invisible?
An Essay on Religion and Aesthetics
Series: Cambridge Studies in Religion, Philosophy, and Society;
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Product details:
- Publisher Cambridge University Press
- Date of Publication 8 April 2021
- ISBN 9781108470742
- Binding Hardback
- No. of pages190 pages
- Size 240x160x20 mm
- Weight 420 g
- Language English 143
Categories
Short description:
An essay on the religious significance of the person in philosophy of beauty, aesthetic experience, and the philosophy of art.
MoreLong description:
In this volume, Charles Taliaferro and Jil Evans promote aesthetic personalism by examining three domains of aesthetics - the philosophy of beauty, aesthetic experience, and philosophy of art - through the lens of Judaism, Christianity, Islam, theistic Hinduism, and the all-seeing Compassionate Buddha. These religious traditions assume an inclusive, overarching God's eye, or ideal point of view, that can create an emancipatory appreciation of beauty and goodness. This appreciation also recognizes the reality and value of the aesthetic experience of persons and deepens the experience of art works. The authors also explore and contrast the invisibility of persons and God. The belief that God or the sacred is invisible does not mean God or the sacred cannot be experienced through visual and other sensory or unique modes. Conversely, the assumption that human persons are thoroughly visible, or observable in all respects, ignores how racism and other forms of bias render persons invisible to others.
'The theme of this book is unusual and important, and is impressive in its combination of art, philosophy, and religion. Readable, attractive, and interesting, it is an excellent contribution by major scholars to this series.' Keith Ward, University of Roehampton and Christ Church College, Oxford University
Table of Contents:
Introduction: The View from Everywhere; 1. Aesthetic Personalism; 2. Is God Invisible?; 3. The Gates of Perception; 4. The Perception of Gates; 5. The Beautiful Gate; 6. Revealing and Concealing; 7. Public Perception of Religious and Art Objects; 8. A Personal Guide to the Aesthetic Experience of Works of Art; Epilogue.
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