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  • History as Theatrical Metaphor: History, Myth and National Identities in Modern Scottish Drama

    History as Theatrical Metaphor by Brown, Ian;

    History, Myth and National Identities in Modern Scottish Drama

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      • Publisher's listprice EUR 64.19
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        26 622 Ft (25 355 Ft + 5% VAT)
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    26 622 Ft

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    Product details:

    • Edition number 1st ed. 2016
    • Publisher Palgrave Macmillan UK
    • Date of Publication 21 April 2021
    • Number of Volumes 1 pieces, Previously published in hardcover

    • ISBN 9781349692477
    • Binding Paperback
    • No. of pages247 pages
    • Size 210x148 mm
    • Weight 454 g
    • Language English
    • Illustrations XVI, 247 p.
    • 147

    Categories

    Long description:

    This revelatory study explores how Scottish history plays, especially since the 1930s, raise issues of ideology, national identity, historiography, mythology, gender and especially Scottish language. Covering topics up to the end of World War Two, the book addresses the work of many key figures from the last century of Scottish theatre, including Robert McLellan and his contemporaries, and also Hector MacMillan, Stewart Conn, John McGrath, Donald Campbell, Bill Bryden, Sue Glover, Liz Lochhead, Jo Clifford, Peter Arnott, David Greig, Rona Munro and others often neglected or misunderstood.

    Setting these writers’ achievements in the context of their Scottish and European predecessors, Ian Brown offers fresh insights into key aspects of Scottish theatre. As such, this represents the first study to offer an overarching view of historical representation on Scottish stages, exploring the nature of ‘history’ and ‘myth’ and relating these afresh to how dramatists use – and subvert – them.

    Engaging and accessible, this innovative book will attract scholars and students interested in history, ideology, mythology, theatre politics and explorations of national and gender identity.

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    Table of Contents:

    Introduction.- Chapter one. Playwrights and History.- Chapter two. History, Mythology and “Re-presentation” of events.- Chapter three. Language, Ideology and Identity.- Chapter four. The creation of a “missing” tradition.- Chapter five. Revealing hidden histories.- Chapter six. The re-visioning of history.- Chapter seven. Alternative visions.- Chapter eight.
    Re-constructing the deconstructed.- Chapter nine. Conclusion.

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