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  • Fashionable Fictions and the Currency of the Nineteenth-Century British Novel

    Fashionable Fictions and the Currency of the Nineteenth-Century British Novel by Gillingham, Lauren;

    Series: Cambridge Studies in Nineteenth-Century Literature and Culture; 143;

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      • Publisher's listprice GBP 22.99
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        10 983 Ft (10 460 Ft + 5% VAT)
      • Discount 20% (cc. 2 197 Ft off)
      • Discounted price 8 786 Ft (8 368 Ft + 5% VAT)

    10 983 Ft

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    Estimated delivery time: In stock at the publisher, but not at Prospero's office. Delivery time approx. 3-5 weeks.
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    Short description:

    Lauren Gillingham reveals how a modern notion of fashion helped to transform the novel in nineteenth-century Britain.

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    Long description:

    Revealing how a modern notion of fashion helped to transform the novel and its representation of social change and individual and collective life in nineteenth-century Britain, Lauren Gillingham offers a revisionist history of the novel. With particular attention to the fiction of the 1820s through 1840s, this study focuses on novels that use fashion's idiom of currency and obsolescence to link narrative form to a heightened sense of the present and the visibility of public life. It contends that novelists steeped their fiction in date-stamped matters of dress, manners, and media sensations to articulate a sense of history as unfolding not in epochal change, but in transient issues and interests capturing the public's imagination. Reading fiction by Mary Shelley, Letitia Landon, Edward Bulwer-Lytton, W. H. Ainsworth, Charles Dickens, Mary Elizabeth Braddon, and others, Fashionable Fictions tells the story of a nineteenth-century genre commitment to contemporaneity that restyles the novel itself.

    'To thrilling effect, Fashionable Fictions invites scholars of the novel to take a second look at the unrespectable sub-genres-silver fork novels, Newgate novels, sensation novels-that they generally sideline. Gillingham does more than teach us new things about history, temporality, and fictional character in the nineteenth century. She also helps us appreciate the aspirations to hyper-currency that distinguish the fiction of our own moment.' Deidre Lynch, Ernest Bernbaum Professor of English Literature, Harvard University

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    Table of Contents:

    Introduction: Fashion and Its Vicissitudes: Contingency, Temporality, Narrative; I. The Silver-Fork Novel and the Transient World: 1. 'All this phantasmagoria': Landon, Shelley, and the Texture of Contemporary Life; 2. Picaresque Movements: Pelham, Cecil, and the Rejection of Bildung; II: Demotic Celebrities: 3. Spectacular Objects: Criminal Celebrity and the Newgate School; 4. After Criminality: Dickens and the Celebrity of Everyday Life; III. Hypercurrency and the Sensation Novel: 5. Affective Distance and the Temporality of Sensation Fiction; Coda: Fiction and Fashion Now.

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