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  • Edward Albee's Who's Afraid of Virginia Woolf?

    Edward Albee's Who's Afraid of Virginia Woolf? by Bennett, Michael Y.;

    Series: The Fourth Wall;

      • GET 20% OFF

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      • Publisher's listprice GBP 11.99
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        5 728 Ft (5 455 Ft + 5% VAT)
      • Discount 20% (cc. 1 146 Ft off)
      • Discounted price 4 582 Ft (4 364 Ft + 5% VAT)

    5 728 Ft

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    Availability

    Estimated delivery time: In stock at the publisher, but not at Prospero's office. Delivery time approx. 3-5 weeks.
    Not in stock at Prospero.

    Why don't you give exact delivery time?

    Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.

    Product details:

    • Edition number 1
    • Publisher Routledge
    • Date of Publication 11 July 2018

    • ISBN 9781138097421
    • Binding Paperback
    • No. of pages66 pages
    • Size 172x119 mm
    • Weight 140 g
    • Language English
    • 0

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    Short description:

    Edward Albee’s Who’s Afraid of Virginia Woolf? shocked audiences and critics alike with its assault on decorum. At base though, the play is simply a love story: an examination of a long wedded life, filled with the hopes, dreams, disappointments, and pain that accompany the passing of many years together.

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    Long description:

    Edward Albee’s Who’s Afraid of Virginia Woolf? shocked audiences and critics alike with its assault on decorum. At base though, the play is simply a love story: an examination of a long-wedded life, filled with the hopes, dreams, disappointments, and pain that accompany the passing of many years together.


    While the ethos of the play is tragicomic, it is the anachronistic, melodramatic secret object—the nonexistent "son"—that upends the audience’s sense of theatrical normalcy. The mean and vulgar bile spewed among the characters hides these elements, making it feel like something entirely "new."


    As Michael Y. Bennett reveals, the play is the same emperor, just wearing new clothes. In short, it is straight out of the grand tradition of living room drama: Ibsen, Chekhov, Glaspell, Hellmann, O’Neill, Wilder, Miller, Williams, and Albee.


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    Table of Contents:


    Acknowledgments



     


    CHAPTER 1: The Play’s Contexts


    CHAPTER 2: The Play in Retrospect: Seeing the "New" as "Old"


    CHAPTER 3: The Play and Players


    CHAPTER 4: The Play’s Legacy



     


    NOTES


    BIBLIOGRAPHY

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