Short description:

This book presents a detailed and innovative reading of contemporary Australian literature in the context of unprecedented ecological crisis. It will be of interest to scholars and students of ecocriticism, environmental humanities, and postcolonial and Indigenous studies.

Long description:

This book presents an innovative and imaginative reading of contemporary Australian literature in the context of unprecedented ecological crisis.

The Australian continent has seen significant, rapid changes to its cultures and land-use from the impact of British colonial rule, yet there is a rich history of Indigenous land-ethics and cosmological thought. By using the age-old idea of ?cosmos??the order of the world?to foreground ideas of a good order and chaos, reciprocity and more-than-human agency, this book interrogates the Anthropocene in Australia, focusing on notions of colonisation, farming, mining, bioethics, technology, environmental justice and sovereignty. It offers ?cosmological readings? of a diverse range of authors?Indigenous and non-Indigenous?as a challenge to the Anthropocene?s decline-narrative. As a result, it reactivates ?cosmos? as an ethical vision and a transculturally important counter-concept to the Anthropocene. Kathrin Bartha-Mitchell argues that the arts can help us envision radical cosmologies of being in and with the planet, and to address the very real social and environmental problems of our era.

This book will be of particular interest to scholars and students of Ecocriticism, Environmental Humanities, and postcolonial, transcultural and Indigenous studies, with a primary focus on Australian, New Zealand, Oceanic and Pacific area studies.

"Bartha-Mitchell?s book is an impressive achievement. The theoretical field, which she traces with such consistent care and detail, is formidable and one where its voices often speak at unacknowledged cross-purposes [?] The book?s value lies not just in its productive readings of contemporary Australian prose fiction, but as a concise map of environmental critique.? 

Tony Hughes-d?Aeth, Chair of Australian Literature, University of Western Australia, Journal of the Association for the Study of Australian Literature, Australia

"An innovative intervention in the environmental humanities, this thought-provoking study of contemporary Australian literature makes a powerful case for the generative concept of cosmos and, more broadly, for the importance of literary studies within the wider field." 

Diletta De Cristofaro, Assistant Professor, Northumbria University, UK

"Where most ecocritical scholarship concentrates on stories set in a vulnerable future, Bartha-Mitchell?s book disrupts this temporal straight-jacketing by examining texts that ? roughly arranged ? examine ecological pasts, futures and presents. Cosmological Readings thus introduces readers to new ecocritical stories, to a wider range of primary texts, and challenges limited thinking about where new imaginings on the environment, ecology and climate change might be found." 

Geoff Rodoreda, Lecturer, University of Stuttgart, Germany

Table of Contents:

Introduction: Literary Cosmology in the Anthropocene  Part 1: CONTEXT / THEORY: From Chaos to Cosmos to Anthropocene?  1. Cosmos within and beyond the Environmental Humanities  2. Cosmos Today: Modern, Transcultural, (Dis)enchanted  Part 2: COLONISATION / EXPLOITATION: Reimagining Agriculture and Extraction  3. Remembering the Language of Colonial Agriculture: Carrie Tiffany?s Everyman?s Rules for Scientific Living  4. Resisting Mining and Regenerating Country through the Wiradjuri Language: Tara June Winch?s The Yield  Part 3: BIOETHICS / TECHNOLOGY: Revising Human Mastery Narratives  5. Testing the Limits of Apocalyptic Climate Fiction: Briohny Doyle?s The Island Will Sink  6. Reconsidering Evolution and Queering Environmentalism: Ellen van Neerven?s ?Water?  Part 4: ENVIRONMENTAL JUSTICE / CUSTODIANSHIP: Towards Sovereign Cosmopolitics  7. Remembering the Opposite of Oppression: Behrouz Boochani?s No Friend but the Mountains  8. Aquatious Mobilisation of Indigenous Sovereignty: Melissa Lucashenko?s Too Much Lip  Conclusion