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  • Chinese Feminisms and The Vagina Monologues

    Chinese Feminisms and The Vagina Monologues by Wei, Yingjun;

    Series: Elements in Women Theatre Makers;

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      • Publisher's listprice GBP 70.00
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        33 442 Ft (31 850 Ft + 5% VAT)
      • Discount 10% (cc. 3 344 Ft off)
      • Discounted price 30 098 Ft (28 665 Ft + 5% VAT)

    33 442 Ft

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    Product details:

    • Publisher Cambridge University Press
    • Date of Publication 31 December 2025

    • ISBN 9781009667777
    • Binding Hardback
    • No. of pages pages
    • Size 0x0x0 mm
    • Language English
    • 700

    Categories

    Short description:

    This Element will offer insights into feminist politics, theatrical practices, and epistemologies from a Chinese perspective.

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    Long description:

    This Element focuses on three Chinese productions of The Vagina Monologues (TVM, 1996), a radical-feminist play by the North American artist and activist Eve Ensler: Yin Dao Du Bai (The Vagina Monologues, 2003), Yin Dao Zhi Dao (Vagina's Way, 2013), and Dao Yin (Saying Vagina, 2021). Each production was staged in and informed by the changing landscape of Chinese feminism: from 2003 to the early 2010s, the making of TVM was a process of exploring the subject position of an autonomous citizen, but from 2015, feminist theatre making had to contend with gains being eroded by state neoliberalism, an issue reflected in the third performance, Dao Yin (2021). Drawing on this historical analysis, in the fifth and final section, the author proposes the concept of 'collapsed feminisms' to argue that Chinese feminist theatres from 2003 to 2021 staged an extremely complicated scene where all these feminisms overlapped and 'collapsed' together.

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    Table of Contents:

    1. The vagina monologues and feminism(s) in China; 2. The politics of desire: feminist erotic desires in yin dao du bai and (neo)liberalism; 3. Vagina's way: confronting medical-patriarchal-nationalist ideologies in and beyond feminist theatre; 4. Feminist theatre during the COVID-19 pandemic: dao yin and neoliberal globalization; 5. Conclusion: collapsed feminisms, chaos, relics, and feminist hope; References.

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