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  • Art, Science, and the Natural World in the Ancient Mediterranean, 300 BC to AD 100

    Art, Science, and the Natural World in the Ancient Mediterranean, 300 BC to AD 100 by Thomas, Joshua J.;

    Series: Oxford Studies in Ancient Culture & Representation;

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      • Publisher's listprice GBP 122.50
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        58 524 Ft (55 737 Ft + 5% VAT)
      • Discount 10% (cc. 5 852 Ft off)
      • Discounted price 52 671 Ft (50 163 Ft + 5% VAT)

    58 524 Ft

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    Product details:

    • Publisher OUP Oxford
    • Date of Publication 22 December 2021

    • ISBN 9780192844897
    • Binding Hardback
    • No. of pages392 pages
    • Size 252x196x26 mm
    • Weight 948 g
    • Language English
    • Illustrations 160 black and white figures
    • 222

    Categories

    Short description:

    A study on the intersection of art, science, and the natural world in Hellenistic and Roman times.

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    Long description:

    The Hellenistic Period witnessed striking new developments in art, literature and science. This volume addresses a particularly vibrant area of innovation: the study of animals and the natural world. While Aristotle and his followers had revolutionized fields such as zoology and botany during the fourth century BC, these disciplines took on exciting new directions during Hellenistic times. Kings imported exotic species into their royal capitals from faraway lands. Travel writers described unusual creatures that they had never previously encountered. And buyers from a range of social levels chose works of art featuring animals and plants to decorate their palaces, houses and tombs.

    While textual sources shed some light on these developments, the central premise of Art, Science and the Natural World in the Ancient Mediterranean is that our surviving artistic evidence permits a fuller understanding. Accordingly, the study brings together a rich body of visual material that invites new observations on how and why knowledge of the natural world became so important during this period. It is suggested that this cultural phenomenon affected many different groups in society: from kings in Alexandria and Pergamon to provincial aristocrats in the Levant, and from the Julio-Claudian imperial family to prosperous homeowners in Pompeii. By analysing the works of art produced for these individuals, a vivid picture emerges of this remarkable aspect of ancient culture.

    This is a genuinely stimulating book that is set to inspire further interdisciplinary enquiries.

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    Table of Contents:

    Introduction
    The Nile Mosaic at Praeneste
    The Tomb of Apollophanes at Marisa
    The Artemidoros Papyrus
    Animals in Hellenistic Royal Mosaics
    Fish Mosaics in Late Republican Italy
    Garden Paintings in Latium and Campania
    Conclusions
    Bibliography

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