Art Botany in British Design Reform, 1835-1865
Series: Cultural Histories of Design;
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Product details:
- Publisher Bloomsbury Publishing (UK)
- Date of Publication 12 December 2024
- Number of Volumes Hardback
- ISBN 9781350350526
- Binding Hardback
- No. of pages224 pages
- Size 236x160x20 mm
- Weight 660 g
- Language English
- Illustrations 61 bw illus 611
Categories
Long description:
Drawing on the fields of design history and the history of science, this book examines the important role that botanical science played in the emergence of Victorian design theory.
In early 19th-century Britain, a rapid influx of plants from other countries began to confuse the orders of classification. As these new specimens arrived in nurseries and conservatories, botanists revised and promoted a new taxonomy: the Natural System. In parallel, in 1835, British manufacturers faced a government inquiry in order to improve the output of the British design industry. They needed a nationally identifiable design aesthetic and the inquiry led to the creation of the Government Schools of Design and the Design Reform movement. This book explores how, whilst botanists used drawings to clarify new systems of plant classification, designers learnt 'art botany', the practice of basing decorative form and ornament on the hidden, natural laws that govern plant growth and structure. Design reformers used botany as a model for how to create and identify what is new and incorporate it into what was already familiar and meaningful, all within the purview of developing a professional field of practice.
Sarah Alford provides a rich, interdisciplinary study of how the fields of design and botanical science came together. Through a framework of material culture, Alford sheds new light on the work of leading botanists, designers and illustrators such as Sarah Drake, John Lindley, Richard Redgrave, Owen Jones and Christopher Dresser. This book reveals how the designation of what design reformers deemed appropriate for the surface decoration of material structures as varied as carpets, jugs, wallpaper, and furniture, was an embrace of botanical science as a source of fantasy and imagination.
Table of Contents:
Acknowledgments
List of Figures
Introduction
1. Multiple Affinities
2. Well-Spring
3. The Well-Spring and the Orchid
4. Natural Philosophy and the Crow's Foot Claret Jug
5. Plans and Elevations of Flowers
Conclusion
Bibliography
Index
Objectif Carentan: 6-15 Juin 1944
14 773 HUF
13 592 HUF
