Theological Aesthetics by Viladesau, Richard;

God in Imagination, Beauty, and Art

10% KEDVEZMÉNY?
A kedvezmény csak az 'Értesítés a kedvenc témákról' hírlevelünk címzettjeinek rendeléseire érvényes.

Kiadói listaár GBP 76.00
Az ár azért becsült, mert a rendelés pillanatában nem lehet pontosan tudni, hogy a beérkezéskor milyen lesz a forint árfolyama az adott termék eredeti devizájához képest. Ha a forint romlana, kissé többet, ha javulna, kissé kevesebbet kell majd fizetnie.

34 314 Ft (32 680 Ft + 5% áfa)
Kedvezmény(ek) 10% (cc. 3 431 Ft off)
Kedvezményes ár 30 883 Ft (29 412 Ft + 5% áfa)

34 314 Ft

Beszerezhetőség

Megrendelésre a kiadó utánnyomja a könyvet. Rendelhető, de a szokásosnál kicsit lassabban érkezik meg.

A termék adatai:

Kiadó OUP USA
Megjelenés dátuma 1999. szeptember 16.

ISBN 9780195126228
Kötéstípus Keménykötés
Terjedelem320 oldal
Méret 240x157x25 mm
Súly 608 g
Nyelv angol
Illusztrációk 5 halftones

Kategóriák

Rövid leírás:

In this book, Richard Viladesau contrues Christian theology as a "theological aesthetics". He examines Christian revelation and its presuppositions in relationship to three interconnected meanings of the "aesthetic" in modern thought: human cognition as feeling and imagination; the realm of the beautiful; and the arts. In each area, examples from the arts are correlated with classical and contemporary theological themes.

Több

Hosszú leírás:

This book explores the role of aesthetic experience in our perception and understanding of the holy. Richard Viladesaus goal is to articulate a theology of revelation, examined in relation to three principal dimensions of the aesthetic realm: feeling and imagination; beauty (or taste); and the arts. After briefly considering ways in which theology itself can be imaginative or beautiful, Viladesau concentrates on the theological significance of aesthetic data provided by each of the three major spheres of aesthetic perception and response. Throughout the work, the underlying question is how each of these spheres serves as a source (however ambiguous) of revelation. Although he frames much of his argument in terms of Catholic theology--from the Church Fathers to Karl Rahner, Hans urs von Balthasar, Bernard Lonergan, and David Tracy--Viladesau also makes extensive use of ideas from the Protestant theologian of the arts Gerardus van der Leeuw, and draws insights from such diverse thinkers as Hans Goerg Gadamer, Wolfhart Pannenberg, and Iris Murdoch. His analysis is enlivened by the artistic examples he selects: the music of Mozart as contemplated by Karl Barth, Schoenbergs opera Moses und Aron, the sculptures of Chartres Cathedral, poems by Rilke and Michelangelo, and many others. What emerges from this study is what Viladeseau terms a transcendental theology of aesthetics. In Thomistic terms, he finds that beauty is not only a perfection but a transcendental. That is, any instance of beauty, rightly perceived and rightly understood, can be seen to imply divinely beautiful things as well. In other words, Viladesau argues, God is the absolute and necessary condition for the possibility of beauty.

If Fr. Viladesau's book whets our appetite for a deeper consideration of the subject which is endlessly absorbing, like God, it will have succeeded. Do read it, it is enthralling.