François Rabelais and the Renaissance Physiology of Invention
Ingenious Animation
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A termék adatai:
- Kiadó OUP Oxford
- Megjelenés dátuma 2025. január 31.
- ISBN 9780192866691
- Kötéstípus Keménykötés
- Terjedelem336 oldal
- Méret 240x165x20 mm
- Súly 700 g
- Nyelv angol 642
Kategóriák
Rövid leírás:
François Rabelais and the Renaissance Physiology of Invention: Ingenious Animation explores the medical poetics of inventive, embodied thinking or ingenuity instantiated in Rabelais's Gargantua and, mostly, his Quart livre.
TöbbHosszú leírás:
François Rabelais and the Renaissance Physiology of Invention: Ingenious Animation explores the medical poetics of inventive, embodied thinking or ingenuity instantiated in Rabelais' Gargantua and, mostly,in his Quart livre. It unsettles established dichotomies in Rabelaisian scholarship between Rabelais's 'lowly' laughter and his 'high', erudite message and reassesses the Rabelaisian grotesque by highlighting its debts to grotesque ornament, this marginal yet omnipresent Renaissance visual art.
Bodily functions are a trademark of Rabelais's poetics. Scholarship has read them as signs of carnivalesque inversion, in line with the Bakhtinian grotesque, or of satirical degradation: in both instances, the 'lowly' is opposed to the 'high', the belly to the head. Yet for a physician like Rabelais, the 'head' or the brain as the site of cognition is not opposed to what is below it: the chest as the site of breathing, the belly and its nether regions as sites of nutrition and generation. In Renaissance medicine, these are integrated physiological systems whose products fuel each other's operations, including cognition.
Read through this lens and alongside his diagnosis of the healthy or diseased culture of his time (rotting scholasticism, the humanist digestion of the classical heritage, or the schismatic convulsions shaking Christianity) Rabelais's fictions testify to his reflexive investigation into how culture results from physiological processes fuelling the inventive ability of the human animal, made manifest in pedagogical, artistic, mechanical, and spiritual 'inventions'. They display the life (rather than the truth) of culture stemming from human ingenia, that is, wits conditioned by biological natures. While these might be idiosyncratic, their animation is fuelled and shaped by the food one eats, the air one breathes, the places one inhabits, the company one keeps.
In this respect Rabelaisian fiction is grotesque in a period sense. With its emphasis on hybrid forms capturing the metamorphic powers of animation, grotesque ornament reflexively commented on the embodied inventive processes underpinning Renaissance mimesis. Rabelais's fictions display a similar logic: they foreground the inventive powers of ingenious animation and articulate reflexive, often ironic alternatives to the humanist views they alter: a thoroughly embodied anthropology, a naturalist genealogy of cultural production and transmission, a phantastical account of artistic invention as uncanny liveliness.
Tartalomjegyzék:
Introduction
Cultural Production as a Natural Process: An Alternative Topography
Ingenuity in Natural Philosophy and Medicine: Lyon-Paris, 1530-50
A Diagnostic in Docility: Quick-Wittedness and Natural Copia in the Torchecul episode (Gargantua XIII)
Popemaniacs (1). Idolatrous Ingenuity: Diseased Animation and D?dalic Art (Quart livre XLVIII-L)
Popemaniacs (2). Grotesque Reflections on Social Ingenuity: Conversation, Gastronomy, Ceremonies. (Quart livre LI-LIV)
En Marge 1
Groignet, The Slashing Tailor. Rabelais's Historiographical Grotesque Against Raphaël's Vatican Stanze
The Fuel of Engines: The Encounter with Gaster (Quart livre LVII-LXII)
En Marge 2
Ingenuity and the Needful, Illiberal Roots of Order: A Rabelaisian Reading of Dürer's Grotesque Trophies
The Breath and the Breeze. Experiencing Death in the Macr?ons episode (Quart livre XXV-XXVIII)
Animation and the Matter of Voice: The Thawing Words episode (Quart livre LV-LVI)
En Fin. Rabelais and Renaissance Grotesque Ornament
Bibliography
Index
