Contemporary Italian Youth Television
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20% KEDVEZMÉNY?
- A kedvezmény csak az 'Értesítés a kedvenc témákról' hírlevelünk címzettjeinek rendeléseire érvényes.
- Kiadói listaár EUR 53.49
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22 184 Ft (21 128 Ft + 5% áfa)
Az ár azért becsült, mert a rendelés pillanatában nem lehet pontosan tudni, hogy a beérkezéskor milyen lesz a forint árfolyama az adott termék eredeti devizájához képest. Ha a forint romlana, kissé többet, ha javulna, kissé kevesebbet kell majd fizetnie.
- Kedvezmény(ek) 20% (cc. 4 437 Ft off)
- Kedvezményes ár 17 748 Ft (16 902 Ft + 5% áfa)
Iratkozzon fel most és részesüljön kedvezőbb árainkból!
Feliratkozom
22 184 Ft
Beszerezhetőség
Még nem jelent meg, de rendelhető. A megjelenéstől számított néhány héten belül megérkezik.
Why don't you give exact delivery time?
A beszerzés időigényét az eddigi tapasztalatokra alapozva adjuk meg. Azért becsült, mert a terméket külföldről hozzuk be, így a kiadó kiszolgálásának pillanatnyi gyorsaságától is függ. A megadottnál gyorsabb és lassabb szállítás is elképzelhető, de mindent megteszünk, hogy Ön a lehető leghamarabb jusson hozzá a termékhez.
A termék adatai:
- Kiadó Springer Nature Switzerland
- Megjelenés dátuma 2025. december 14.
- Kötetek száma 1 pieces, Book
- ISBN 9783031980633
- Kötéstípus Keménykötés
- Terjedelem375 oldal
- Méret 210x148 mm
- Nyelv angol
- Illusztrációk XXIII, 375 p. Illustrations, color 700
Kategóriák
Hosszú leírás:
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This open-access volume is the first English-language study of the vibrant contemporary landscape of Italian youth-oriented television. TV shows addressed include internationally popular series such as SKAM Italia, Baby, Summertime, We Are Who We Are, Zero, Prisma, My Brilliant Friend, Mare Fuori, and many others. The collection explores the changing representation of young people, while contextualising these developments historically and industrially. The opening section examines key issues shaping contemporary Italian youth television, such as fashion, place, music, and language, with a focus on how Italian producers and outlets are adapting local practices in response to transnational production models and international distribution networks. The second and third sections offer focused readings of Italian youth TV series in this contemporary landscape, drawing on a wide range of thematic angles, from immigration to queer identities. Finally, the book concludes with interviews with major industry figures, who reflect on recent adjustments in production and distribution practices by public service broadcasters and digital platforms.
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Chapter 01: Introduction: Bringing Youth into Contemporary Italian Television.- Section 1: Trends.- Chapter 02: From Tre metri sopra il cielo to Summertime: The Evolution of the “filone giovanilistico” Through Time and Screens.- Chapter 03: Fashioning Identity in Contemporary Italian Youth Television Series.- Chapter 04: “Talkin’ ‘bout my Generation” The Role of Music in Italian Youth Television Series.- Chapter 05: “Teen” Sense of Place: The Representation of Italian Locations in Teen Television Series.- Chapter 06: Not Another Teen Drama: Rai, Platformization, and New Representations of Teenagers.- Chapter 07: Rai Fiction Teen Series for Mainstream Channels: Programming and Production.- Chapter 08: “Ma che stai dicendo?” A Linguistic Overview of Teen Representation in Italian Television Series.- Chapter 09: Baby... One More Time: Netflix Italia’s Original First Teen Dramas and the Struggle to Build a New Genre.- Chapter 10: A Girls’ Eye-view: Exploring Television Representations of Italian Girlhood through the Lens of Italian Female Adolescence.- Section 2: Texts.- Chapter 11: Queer Identifications, Activism, and Desire in SKAM Italia.- Chapter 12: “Vedo che siamo moderni, eh?” Representations of Social Media Use in SKAM Italia.- Chapter 13: Musica, Maestro! Notes on La Compagnia del Cigno’s Teen Cast.- Chapter 14: “Is This Italian TV?” How My Brilliant Friend Has Attained Success in Mainland China.- Chapter 15: Casa Surace’s Engagement with Southern Youth and National Success Amongst Young Italians.- Chapter 16: The Transmedia Universe of Mare Fuori.- Section 3: Close-ups.- Chapter 17: Male Bonding and Narrative Afterlives in Suburra: Blood on Rome.- Chapter 18: Incredible Casting: My Brilliant Friend.- Chapter 19: The Horrors of History in Netflix’s Curon.- Chapter 20: The Beach in Summertime.- Chapter 21: Wrecking the Lagoon: Reading Waste in We Are Who We Are’s Queer Adolescence.- Chapter 22: We Are Who We Are or Queerness as Atmospheric.- Chapter 23: Visualising the Invisible: Zero and Afro-Italian Urban Utopias.- Chapter 24: A Tale of Three Teenagers and a City: Romulus, or the Foundation of Rome According to Sky Italia.- Chapter 25: The Pathos of Transnationalism: Exploring the Tourist Gaze in Anna.- Chapter 26: Generazione 56K: Nostalgia as a Way to Convergence Media Practices.- Chapter 27: An Astrological Guide for Broken Hearts, or Emily in Paris in Turin.- Chapter 28: Luna Park: La dolce vita and Retro History.- Chapter 29: Coming of Age in Naples in The Lying Life of Adults.- Chapter 30: Prisma: Building a Game of Mirrors.- Chapter 31: Teens in Prison: Control and Redemption in Mare fuori.- Section 4: Interview.- Chapter 32: Putting Your Own Stamp on the Writing of Others: A Conversation with Ivan Silvestrini, Director of Mare Fuori.- Chapter 33: Youth Culture, Diversity, and Italianness on Television: An Interview with Ludovico Bessegato.- Chapter 34: Desperately Seeking Diversity: Challenges and Breakthroughs in the Casting of Netflix’s Zero.- Chapter 35: “Indeed there is magic in casting”: An Interview with Sara Casani and Laura Muccino.
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