 
      A Music Transcription Method
Notating Recorded Music by Ear
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Feliratkozom
69 273 Ft
Beszerezhetőség
Becsült beszerzési idő: A Prosperónál jelenleg nincsen raktáron, de a kiadónál igen. Beszerzés kb. 3-5 hét.. 
A Prosperónál jelenleg nincsen raktáron.
Why don't you give exact delivery time?
A beszerzés időigényét az eddigi tapasztalatokra alapozva adjuk meg. Azért becsült, mert a terméket külföldről hozzuk be, így a kiadó kiszolgálásának pillanatnyi gyorsaságától is függ. A megadottnál gyorsabb és lassabb szállítás is elképzelhető, de mindent megteszünk, hogy Ön a lehető leghamarabb jusson hozzá a termékhez.
A termék adatai:
- Kiadás sorszáma 1
- Kiadó Routledge
- Megjelenés dátuma 2025. augusztus 19.
- ISBN 9781032842585
- Kötéstípus Keménykötés
- Terjedelem178 oldal
- Méret 254x178 mm
- Súly 490 g
- Nyelv angol
- Illusztrációk 77 Illustrations, black & white; 53 Halftones, black & white; 24 Line drawings, black & white 688
Kategóriák
Rövid leírás:
A Music Transcription Method: Notating Recorded Music by Ear teaches how to leverage music dictation in the modern music industry. The book's four parts cover aspects of preparation, process, interpretation, and industry resources related to notating recorded music by ear.
TöbbHosszú leírás:
A Music Transcription Method: Notating Recorded Music by Ear teaches how to leverage music dictation in the modern music industry. The book's four parts cover aspects of preparation, process, interpretation, and industry resources related to notating recorded music by ear.
Taking a modular approach, the book guides readers from an initial subject overview to leveraging the craft for their own projects and careers. Each chapter includes an industry interview featuring diverse practitioner perspectives from Broadway, LA's film scoring scene, contemporary Jazz and Pop, orchestral and marching band styles, music educators, and music entrepreneurs. Transcribed sheet music examples, provided by members of GroundUP Music and several independent creators illustrate the transcription process, while field-relevant scholarly, educational, and professional references further illuminate the state of inquiry in music transcription. Learning outcomes, exploratory chapter activities, visual chapter maps, and further instructional visuals are included to support the learning styles of diverse readers.
Supported by online resources offering a growing repository of reference materials, including sample materials and instructional videos with a focus on technology literacy, this is essential reading for undergraduates on music transcription, arranging, and orchestration courses for a variety of musical contexts and genres, as well as for musicians perfecting their music notation skills.
Dr. Andreas Häberlin’s A Music Transcription Method: Notating Recorded Music by Ear is an invaluable resource for musicians, educators, and industry professionals. It masterfully combines theoretical insights with practical frameworks, making the complex art of music transcription accessible and engaging. The book's structured approach, paired with real-world applications and cutting-edge tools, ensures that readers not only develop technical skills but also gain a deeper appreciation for the nuances of recorded music. A must-read for anyone serious about honing their transcription craft!
—Dr. Camille Colatosti – Provost, Interlochen Center for the Arts
Dr. Andreas Häberlin’s first book is a groundbreaking resource that redefines how we approach the art of music transcription. By blending analytical listening, structured processes, and practical application, this book enables readers to decode recorded music with precision and creativity. What sets this work apart is Häberlin’s ability to demystify complex methodologies while fostering a holistic understanding of musical structure, orchestration, and interpretation. It’s not just a guide—it’s an invitation to experience music in a profoundly deeper way. Perfect for anyone looking to elevate their transcription skills or uncover new dimensions in music analysis.
—Gael Hedding – Grammy- & Latin Grammy-winning Music Producer & Engineer, Director, Berklee Abu Dhabi
In film scoring and media composition, the development of a fine-tuned ear is a necessity. Many scores are born from abstractions and musical improvisation, and with constantly tight deadlines, a composer's greatest strength is the ability to accurately transcribe on the fly. While active listening and devoted practice can help sharpen this skill, the craft itself can often feel nebulous and difficult to navigate. Dr. Andreas Häberlin has astutely found a way to isolate this intricate process, offering detailed, practical tools and an intuitive creative perspective. Through his new book, A Music Transcription Method: Notating Recorded Music by Ear, we can begin to appreciate not only the granularity and detail of his transcription methods, but find ways to broaden our technical scope and analyze musical intent through a holistic lens.
—Stephanie Economou – Grammy-winning Film & Video Game Composer, My Big Fat Greek Wedding 3; Assassin's Creed Valhalla: Dawn Of Ragnarok
 
Több
Tartalomjegyzék:
Table of Contents
Preface
About the Author
Acknowledgments
Glossary
PART I: PREPARATION
Chapter 1: Field Introduction
Introductory Definition
Methodological Inquiry
Music Industry Applications
Chapter 2: Analytical Listening
Listening Approaches
Listening Dimensions
Auditory Analysis
Chapter 3: Transcription Setup
Playback
Listening & Referencing
Music Notation
PART II: PROCESS
Chapter 4: Outline
Setting the Scope
Sheet Music Formats
Global Music Information Layers
Chapter 5: Foundational Layers
Individual Layers
Music Note Series
Transcription Roadmap
Chapter 6: Dependent Layers
Note & Pattern Perspective
Phrase & Section Perspective
Transcription Roadmap
Chapter 7: Process Variants
Procedures in Context
Transcribing Multi-File Sources
Compact Target Formats
PART III: INTERPRETATION
Chapter 8: Music Notation
A Prescriptive Approach
Level of Notation Detail
Decision-Frame
Chapter 9: Macrostructure
Form
Time Signatures
Tempo
Chapter 10: Microstructure
Pattern Repetition
Harmonic Qualities
Nuance in Phrasing
Chapter 11: Orchestration
Individual Sound Sources
Stacked Composite Sounds
Dynamics & Timbre
PART IV: RESOURCES
Chapter 12: Opportunities
Common Career Profiles
Music Transcription Services
Self-Marketing
Chapter 13: Project Management
General Guidelines
Planning
Executing
Chapter 14: Workflow Concepts
Procedural Preparation
Systematic Approach
Digital Literacy
Index
Több