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  • A Music Transcription Method: Notating Recorded Music by Ear

    A Music Transcription Method by Häberlin, Andreas;

    Notating Recorded Music by Ear

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    A termék adatai:

    • Kiadás sorszáma 1
    • Kiadó Routledge
    • Megjelenés dátuma 2025. augusztus 19.

    • ISBN 9781032842547
    • Kötéstípus Puhakötés
    • Terjedelem178 oldal
    • Méret 254x178 mm
    • Súly 330 g
    • Nyelv angol
    • Illusztrációk 77 Illustrations, black & white; 53 Halftones, black & white; 24 Line drawings, black & white
    • 688

    Kategóriák

    Rövid leírás:

    A Music Transcription Method: Notating Recorded Music by Ear teaches how to leverage music dictation in the modern music industry. The book's four parts cover aspects of preparation, process, interpretation, and industry resources related to notating recorded music by ear.

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    Hosszú leírás:

    A Music Transcription Method: Notating Recorded Music by Ear teaches how to leverage music dictation in the modern music industry. The book's four parts cover aspects of preparation, process, interpretation, and industry resources related to notating recorded music by ear.


    Taking a modular approach, the book guides readers from an initial subject overview to leveraging the craft for their own projects and careers. Each chapter includes an industry interview featuring diverse practitioner perspectives from Broadway, LA's film scoring scene, contemporary Jazz and Pop, orchestral and marching band styles, music educators, and music entrepreneurs. Transcribed sheet music examples, provided by members of GroundUP Music and several independent creators illustrate the transcription process, while field-relevant scholarly, educational, and professional references further illuminate the state of inquiry in music transcription. Learning outcomes, exploratory chapter activities, visual chapter maps, and further instructional visuals are included to support the learning styles of diverse readers.


    Supported by online resources offering a growing repository of reference materials, including sample materials and instructional videos with a focus on technology literacy, this is essential reading for undergraduates on music transcription, arranging, and orchestration courses for a variety of musical contexts and genres, as well as for musicians perfecting their music notation skills.



    Dr. Andreas Häberlin’s A Music Transcription Method: Notating Recorded Music by Ear is an invaluable resource for musicians, educators, and industry professionals. It masterfully combines theoretical insights with practical frameworks, making the complex art of music transcription accessible and engaging. The book's structured approach, paired with real-world applications and cutting-edge tools, ensures that readers not only develop technical skills but also gain a deeper appreciation for the nuances of recorded music. A must-read for anyone serious about honing their transcription craft!


    Dr. Camille Colatosti – Provost, Interlochen Center for the Arts


     


    Dr. Andreas Häberlin’s first book is a groundbreaking resource that redefines how we approach the art of music transcription. By blending analytical listening, structured processes, and practical application, this book enables readers to decode recorded music with precision and creativity. What sets this work apart is Häberlin’s ability to demystify complex methodologies while fostering a holistic understanding of musical structure, orchestration, and interpretation. It’s not just a guide—it’s an invitation to experience music in a profoundly deeper way. Perfect for anyone looking to elevate their transcription skills or uncover new dimensions in music analysis.


    Gael Hedding – Grammy- & Latin Grammy-winning Music Producer & Engineer, Director, Berklee Abu Dhabi



    In film scoring and media composition, the development of a fine-tuned ear is a necessity. Many scores are born from abstractions and musical improvisation, and with constantly tight deadlines, a composer's greatest strength is the ability to accurately transcribe on the fly. While active listening and devoted practice can help sharpen this skill, the craft itself can often feel nebulous and difficult to navigate. Dr. Andreas Häberlin has astutely found a way to isolate this intricate process, offering detailed, practical tools and an intuitive creative perspective. Through his new book, A Music Transcription Method: Notating Recorded Music by Ear, we can begin to appreciate not only the granularity and detail of his transcription methods, but find ways to broaden our technical scope and analyze musical intent through a holistic lens.


    Stephanie Economou – Grammy-winning Film & Video Game ComposerMy Big Fat Greek Wedding 3; Assassin's Creed Valhalla: Dawn Of Ragnarok




     

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    Tartalomjegyzék:

    Table of Contents


     


    Preface


     


    About the Author


     


    Acknowledgments


     


    Glossary


     


     


    PART I: PREPARATION


     


    Chapter 1: Field Introduction


    Introductory Definition


    Methodological Inquiry


    Music Industry Applications


     


    Chapter 2: Analytical Listening


    Listening Approaches


    Listening Dimensions


    Auditory Analysis


     


    Chapter 3: Transcription Setup


    Playback


    Listening & Referencing


    Music Notation


     


     


    PART II: PROCESS


     


    Chapter 4: Outline


    Setting the Scope


    Sheet Music Formats


    Global Music Information Layers


     


    Chapter 5: Foundational Layers


    Individual Layers


    Music Note Series


    Transcription Roadmap


     


    Chapter 6: Dependent Layers


    Note & Pattern Perspective


    Phrase & Section Perspective


    Transcription Roadmap


     


    Chapter 7: Process Variants


    Procedures in Context


    Transcribing Multi-File Sources


    Compact Target Formats


     


     


    PART III: INTERPRETATION


     


    Chapter 8: Music Notation


    A Prescriptive Approach


    Level of Notation Detail


    Decision-Frame


     


    Chapter 9: Macrostructure


    Form


    Time Signatures


    Tempo


     


    Chapter 10: Microstructure


    Pattern Repetition


    Harmonic Qualities


    Nuance in Phrasing


     


    Chapter 11: Orchestration


    Individual Sound Sources


    Stacked Composite Sounds


    Dynamics & Timbre


     


     


    PART IV: RESOURCES


     


    Chapter 12: Opportunities


    Common Career Profiles


    Music Transcription Services


    Self-Marketing


     


    Chapter 13: Project Management


    General Guidelines


    Planning


    Executing


     


    Chapter 14: Workflow Concepts


    Procedural Preparation


    Systematic Approach


    Digital Literacy


     


     


    Index

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